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Pieta (1498-1499) R\u00f6nesans heykelt\u0131ra\u015f Michelangelo di\u00a0 Lodovico Buonarroti taraf\u0131ndan yap\u0131lm\u0131\u015f, 4 \u00fcnl\u00fc heykelinin en muazzam yap\u0131t\u0131 aras\u0131nda yerini alm\u0131\u015ft\u0131r. Vatikan\u2019da St. Peters Bazilikas\u0131\u2019nda bulunur.<\/strong><\/p>\n Michelangelo Buonarroti, \u00a0Frans\u0131z kardinali i\u00e7in sipari\u015f edilen Pieta Heykeli\u2019nin yap\u0131m\u0131n\u0131 \u00fcstlenen isimdir. Pieta, \u0130talyanca \u201cMerhamet\u201d anlam\u0131na gelmektedir.\u00a0 Denedi\u011fi \u00fc\u00e7 mermerin k\u0131r\u0131lmas\u0131 \u00fczerine d\u00f6rd\u00fcnc\u00fc mermerde ba\u015far\u0131ya ula\u015fm\u0131\u015f, Bat\u0131 \u0130konografisinin en \u00f6nemli imgesi halini alm\u0131\u015ft\u0131r. Michelangelo, eseri bitirdi\u011finde daha 24 ya\u015f\u0131nda olacak, R\u00f6nesans d\u00f6nemine yepyeni muhte\u015fem bir yap\u0131t ekleyecekti.<\/p>\n Kutsall\u0131ktan ger\u00e7ekli\u011fe ya da g\u00f6ksellikten d\u00fcnyevili\u011fe uzanan bu yap\u0131tta, \u00e7arm\u0131htan indirilen \u0130sa\u2019n\u0131n \u00f6l\u00fc bedenini dizlerinin \u00fczerinde ta\u015f\u0131yan anne Meryem\u2019in o\u011flu i\u00e7in tuttu\u011fu yas g\u00f6r\u00fcl\u00fcr. Meryem Ana sa\u011f eliyle o\u011flunu g\u00fc\u00e7l\u00fc \u015fekilde kavram\u0131\u015f, sol eliyle de naa\u015f\u0131 izleyiciye sunmu\u015f ve sayg\u0131ya davet etmi\u015ftir. \u0130sa\u2019n\u0131n y\u00fcz\u00fcnde sanki biraz evvel b\u00fcy\u00fck ac\u0131larla \u00f6len kendisi de\u011filmi\u015f gibi bir huzur vard\u0131r. Bu ifade insanl\u0131\u011fa duydu\u011fu sonsuz \u015fefkat ve merhametinden kaynaklanmaktad\u0131r. \u00a0Kurtarmak istedi\u011fi insanl\u0131\u011fa sonsuz sevgisinden \u00f6t\u00fcr\u00fc bedeninden vazge\u00e7en \u0130sa\u2019n\u0131n, insanl\u0131\u011f\u0131n kurtulu\u015fu u\u011fruna kendini feda edi\u015finden derin memnuniyet duyan Meryem\u2019in a\u015fa\u011f\u0131 y\u00f6ne bakan g\u00f6zlerinde, h\u00fcz\u00fcnl\u00fc ama dahiyane bir huzurun betimlenmesi ve neredeyse o\u011fluyla ayn\u0131 ya\u015fta g\u00f6r\u00fcnmesi bir tesad\u00fcf de\u011fildir. Bu durumu Michelangelo daha sonra \u015f\u00f6yle a\u00e7\u0131klayacakt\u0131r, \u201cNamuslu kad\u0131nlar\u0131n namuslu olmayan kad\u0131nlardan daha gen\u00e7 g\u00f6r\u00fcnmesinin nedeni, \u015fehvetli bir deneyim ya\u015famam\u0131\u015f olmalar\u0131d\u0131r.\u201d\u00a0 Meryem Ana bakirelik, safl\u0131k ve sonsuz inan\u00e7 sayesinde gen\u00e7 kalm\u0131\u015ft\u0131r.<\/p>\n Lakin Michelangelo, annenin g\u00f6zlerindeki \u00a0betimlemeden sonradan pi\u015fmanl\u0131k duyacakt\u0131r.\u00a0 \u00c7\u00fcnk\u00fc ona g\u00f6re, bu kefaretten \u00f6t\u00fcr\u00fc annenin \u00a0t\u00fcm ruhunu kaplam\u0131\u015f \u00a0derin ve muazzam b\u00fcy\u00fckl\u00fckte ki \u00a0ac\u0131y\u0131 arka planda b\u0131rakm\u0131\u015f, huzuru fazla \u00f6n planda tutmu\u015ftur. Ayn\u0131 zamanda evlat ac\u0131s\u0131yla g\u00fc\u00e7lenmenin g\u00f6stergesi olarakMeryem Ana’y\u0131 iri ve geni\u015f omuzlarla betimlemi\u015ftir.<\/p>\n Michelangelo, memleketi Floransa\u2019dan Roma\u2019ya ge\u00e7i\u015f yapt\u0131\u011f\u0131nda, heykelin bir arac\u0131 vas\u0131tas\u0131yla antika diye sat\u0131ld\u0131\u011f\u0131n\u0131 hatta kendine s\u00f6ylenen fiyattan \u00e7ok daha y\u00fcksek mebla\u011fa sat\u0131ld\u0131\u011f\u0131n\u0131 \u00f6\u011frenir.\u00a0Bir de bunlar yetmezmi\u015f gibi eseri alan ki\u015finin k\u00fcstah\u00e7a, \u00a0heykelin orijinal bir Yunan ya da Roma eseri oldu\u011funu iddia etmesi sinirlerini iyice z\u0131plat\u0131r. S\u00f6ylenenlere g\u00f6re bu y\u00fczdendir ki sanat\u00e7\u0131 yaratt\u0131\u011f\u0131 \u00fcnl\u00fc heykel \u201cPieta\u201d n\u0131n, Meryem Ana\u2019n\u0131n elbisesini kesen band\u0131na \u201cFloransal\u0131 Michelangelo Bounarroti taraf\u0131ndan yap\u0131ld\u0131.\u201d imzas\u0131n\u0131 atar. Lakin bu durumdan da sonradan b\u00fcy\u00fck bir pi\u015fmanl\u0131k duyacakt\u0131r.<\/p>\n