{"id":127508,"date":"2020-09-12T12:15:49","date_gmt":"2020-09-12T09:15:49","guid":{"rendered":"http:\/\/epochtimestr.com\/?p=127508"},"modified":"2020-09-14T14:29:24","modified_gmt":"2020-09-14T11:29:24","slug":"alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri","status":"publish","type":"post","link":"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri","title":{"rendered":"Al\u00e7akg\u00f6n\u00fcll\u00fcl\u00fck ve D\u00fcr\u00fcstl\u00fck \u00dczerine Eski \u00c7in Resimleri"},"content":{"rendered":"\n
\"\"<\/a>
\u201cTao Gu bir \u015fiir sunuyor\u201d, Tang Yin taraf\u0131ndan.
\u0130pek \u00fczerinde kayd\u0131rma, m\u00fcrekkep ve renkler, 66 in\u00e7 x 40 in\u00e7.
Ulusal Saray M\u00fczesi, Taipei. (Kamusal)<\/figcaption><\/figure><\/div>\n\n\n\n

Skandallar\u0131n \u00f6\u011fretti\u011fi dersler<\/h2>\n\n\n\n

Skandallar cezbeder ve bizi ikna eder. Skandal olaylar bug\u00fcn ate\u015fli bir \u015fekilde tart\u0131\u015f\u0131l\u0131rken, eski \u00c7inliler \u00e7o\u011fu zaman ahlaki dersler vermek i\u00e7in sanat konular\u0131 gibi olaylar\u0131 kulland\u0131lar. Bu olaylar sanat yoluyla ebedi hale getirildi ve b\u00f6ylece antik \u00c7in d\u00fc\u015f\u00fcncesine ili\u015fkin de\u011ferler, g\u00fcn\u00fcm\u00fcz toplumuna i\u00e7 g\u00f6r\u00fcler sundu. <\/p>\n\n\n\n

Ming Hanedanl\u0131\u011f\u0131 (1368-1644) s\u0131ras\u0131nda sanat\u00e7\u0131lar genellikle kad\u0131nlar\u0131 ortak bir motif olarak tasvir ediyorlard\u0131. Bu sanat\u00e7\u0131lar aras\u0131nda, D\u00f6rt B\u00fcy\u00fck Ming \u00dcstad\u0131’ndan ikisi olan Tang Yin (1470\u20131524) ve Qiu Ying (1494-1552), \u00e7al\u0131\u015fmalar\u0131nda saray han\u0131mlar\u0131na ve nezakete yer verdiler ve temalar\u0131 i\u00e7in ge\u00e7mi\u015f skandallardan ilham ald\u0131lar. <\/p>\n\n\n\n

Sadece bayanlar\u0131n d\u0131\u015f g\u00fczelli\u011fini tasvir etmenin \u00f6tesine ge\u00e7en sembolizm ve alegorilerle Tang Yin ve Qiu Ying, antik \u00c7inlilere kendi karakterlerini yans\u0131tma f\u0131rsatlar\u0131 sa\u011flad\u0131 ve resimleri, b\u00fct\u00fcnl\u00fc\u011f\u00fc korumak ad\u0131na hat\u0131rlat\u0131c\u0131 olarak kullan\u0131ld\u0131.<\/p>\n\n\n\n

Al\u00e7akg\u00f6n\u00fcll\u00fc Bir Randevu<\/strong><\/h2>\n\n\n\n

Tang Yin’in “Tao Gu Bir \u015eiir Sunuyor” adl\u0131 eserinde Tao Gu ve bir fahi\u015fe aras\u0131nda masum bir kar\u015f\u0131la\u015fmay\u0131 tasvir ediyor. Ortam, Song Hanedanl\u0131\u011f\u0131’n\u0131n (960\u20131279) ilk kez kendisini merkezi bir g\u00fc\u00e7 olarak kurdu\u011fu ve Be\u015f Hanedanlar ve On Krall\u0131k’\u0131n (908-979) da\u011f\u0131lmas\u0131 d\u00f6neminde ge\u00e7iyor. <\/p>\n\n\n\n

\"\"<\/a>
“Tao Gu Bir \u015eiir Sunuyor, \u201d Tang Yin taraf\u0131ndan \u0130pek \u00fczerinde kayd\u0131rma, m\u00fcrekkep ve renkler, 66 1\/2 in\u00e7 x 40 1\/4 in\u00e7.
Taipei, Tayvan Ulusal Saray\u0131 M\u00fczesi.<\/figcaption><\/figure><\/div>\n\n\n\n

Tao Gu (903\u2013970) Song saray\u0131ndan bir memurdu ve On Krall\u0131ktan biri olan G\u00fcney Tang imparatorlu\u011funa (937\u2013975) diplomat olarak hizmet etti. Song saray\u0131ndan gelen Tao Gu, G\u00fcney Tang h\u00fck\u00fcmdar\u0131 Li Houzhu ile y\u00fczle\u015firken her zaman bir kibir havas\u0131 ald\u0131.<\/p>\n\n\n\n

Tao Gu\u2019nun k\u00fcstahl\u0131\u011f\u0131ndan \u00f6fkelenen Li Houzhu, Tao Gu\u2019nun k\u00fcstah davran\u0131\u015flar\u0131n\u0131 ortaya \u00e7\u0131karmak i\u00e7in bir plan yapt\u0131. H\u00fck\u00fcmdar G\u00fcney Tang’a giderken Tao Gu’yu ba\u015ftan \u00e7\u0131karmak i\u00e7in \u00fcnl\u00fc bir fahi\u015fe olan Qin Ruolan’\u0131 g\u00f6nderdi. <\/p>\n\n\n\n

Qin Ruolan gibi kad\u0131nlar, esasen evlili\u011fe ba\u011fl\u0131 olmayan e\u011flence kad\u0131nlar\u0131yd\u0131. Profesyonel hostesler olarak, m\u00fczik, dans ve kaligrafi gibi alanlarda y\u00fcksek e\u011fitime sahiptiler ve ana rollerinden biri, yeteneklerini i\u015f ortamlar\u0131nda akademisyenler ve yetkililer aras\u0131ndaki gerginli\u011fi hafifletmek i\u00e7in kullanmakt\u0131.<\/p>\n\n\n\n

Resimde, hem Tao Gu hem de Qin Ruolan, bir bah\u00e7ede bir bulu\u015fma noktas\u0131n\u0131n ortas\u0131nda tasvir edilir. Ancak, eserin hikayesinin bize s\u00f6yledi\u011fi gibi, Qin Ruolan bir subay\u0131n k\u0131z\u0131 olarak gizlendi\u011fi i\u00e7in Tao Gu fahi\u015felik stat\u00fcs\u00fcn\u00fcn fark\u0131nda de\u011fildir.<\/p>\n\n\n\n

Qin Ruolan i\u015flemeli bir bluz giyiyor ve geleneksel olarak fahi\u015felerle ili\u015fkilendirilmi\u015f d\u00f6rt telli, armut bi\u00e7imli bir alet olan bir pipan\u0131n iplerini zarif bir \u015fekilde \u00e7alarken bacaklar\u0131 \u00e7apraz olarak oturuyor.<\/p>\n\n\n\n

\u0130lk bak\u0131\u015fta, kar\u015f\u0131la\u015fmalar\u0131 g\u00f6r\u00fcn\u00fc\u015fte m\u00fcnasiptir, ancak daha yak\u0131ndan bak\u0131ld\u0131\u011f\u0131nda aksini g\u00f6sterir.<\/p>\n\n\n\n

Tao, yan\u0131nda f\u0131r\u00e7a ve bir ka\u011f\u0131tla kad\u0131n\u0131n \u00e7al\u0131\u015f\u0131n\u0131 dinliyor. <\/p>\n\n\n\n

Hikaye, g\u00fczelli\u011fiyle b\u00fcy\u00fclenip m\u00fczikte kendini kaybetti\u011fini, onun i\u00e7in bir hediye olarak bir \u015fiir olu\u015fturdu\u011funu ortaya koyuyor. Fahi\u015feler, toplum taraf\u0131ndan damgaland\u0131\u011f\u0131ndan ve y\u00fcksek bir stat\u00fcye sahip olmad\u0131\u011f\u0131ndan, davran\u0131\u015f\u0131 belirsiz ve antik \u00c7in g\u00f6rg\u00fc kurallar\u0131n\u0131 ihlal edenler olarak g\u00f6r\u00fcl\u00fcr.<\/p>\n\n\n\n

Detaylardaki Semboller<\/strong><\/h2>\n\n\n\n
\"\"<\/a>
“Tao Gu Bir \u015eiir Sunar” dan bir detay, Tang Yin taraf\u0131ndan. \u0130pek \u00fczerinde kayd\u0131rma, m\u00fcrekkep ve renkler, 66 1\/2 in\u00e7 x 40 1\/4 in\u00e7 \/ Taipei, Tayvan Ulusal Saray M\u00fczesi<\/figcaption><\/figure><\/div>\n\n\n\n

Tang Yin, toplant\u0131n\u0131n mahremiyetini i\u015faret ve ipu\u00e7lar\u0131yla ustaca tasvir eder. Qin Ruolan’\u0131n arkas\u0131nda, g\u00f6zlerden uzak bir alanda \u00e7ifti dizginleyen boyal\u0131 bir alan var. Sol altta, bir \u00e7ocuk konu\u015fmalar\u0131na kulak misafiri olmak i\u00e7in baz\u0131 bah\u00e7e kayalar\u0131n\u0131n arkas\u0131na saklan\u0131r ve durumun ola\u011fan\u00fcst\u00fc do\u011fas\u0131n\u0131 g\u00f6sterir. \u0130kisi aras\u0131nda yanan bir mum, bulu\u015fman\u0131n gizlili\u011fini vurgular ve bunun gece vakti oldu\u011funu g\u00f6sterir.<\/p>\n\n\n\n

Ayr\u0131ca, \u00f6zenle boyanm\u0131\u015f bah\u00e7e motifleri manzaraya dahil edilmi\u015ftir. \u00c7ift s\u00f6\u011f\u00fct a\u011fac\u0131n\u0131n g\u00f6lgesinde oturuyor, sarkan yapraklar bir kad\u0131n\u0131n sa\u00e7lar\u0131 i\u00e7in bir sembol. \u00d6n planda g\u00fczelli\u011fini simgeleyen bir ka\u00e7 gezegen yerden filizlenir. Tang Yin ayr\u0131ca resmin sa\u011f \u00e7evresinde bambu s\u00fcrg\u00fcnleri koymu\u015ftur. Bambu b\u00fct\u00fcnl\u00fc\u011f\u00fcn de\u011feri ile ili\u015fkili olsa da, burada ana olaydan uzakta, Tao Gu\u2019nun uygunsuz davran\u0131\u015f\u0131n\u0131 g\u00f6sterir.<\/p>\n\n\n\n

Hikaye, ertesi g\u00fcn, G\u00fcney Tang h\u00fck\u00fcmdar\u0131 Li Houzhu, Tao Gu i\u00e7in gelip bir ziyafet d\u00fczenledikten sonra sona erer. Yine Tao, sert ve kibirli davran\u0131\u015flar sergiler. Li Houzhu daha sonra Qin Ruolan’dan \u00e7\u0131kmas\u0131n\u0131 ve Tao’nun onun i\u00e7in yazd\u0131\u011f\u0131 \u015fiirden bir \u015fark\u0131 s\u00f6z\u00fc \u00e7almas\u0131n\u0131 ister.<\/p>\n\n\n\n

Art\u0131k bir fahi\u015fe taraf\u0131ndan herkesin \u00f6n\u00fcnde alay edilen Tao, haysiyetini kaybeder ve a\u015fa\u011f\u0131lan\u0131r. K\u0131sa s\u00fcre sonra resmi olarak stat\u00fcs\u00fc d\u00fc\u015fer.<\/p>\n\n\n\n

Bu nedenle, bu resimde, eski Konf\u00fc\u00e7y\u00fcs\u00e7\u00fcl\u00fc\u011fa ait al\u00e7akg\u00f6n\u00fcll\u00fcl\u00fck de\u011ferinin \u00f6nemi ima edilmektedir. Tao Gu, daha g\u00fc\u00e7l\u00fc bir imparatorluktan geldi\u011finden beri G\u00fcney Tang Krall\u0131\u011f\u0131’ndaki herkesin ondan daha yukar\u0131da oldu\u011funu hissetti. Bununla birlikte, k\u00fc\u00e7\u00fcmseyici bir \u015fekilde hareket etmek ona sayg\u0131 getirmedi aksine aptal g\u00f6r\u00fcnmesini sa\u011flad\u0131 ve sonunda \u00e7\u00f6kmesine yol a\u00e7t\u0131.<\/p>\n\n\n\n

Konf\u00fc\u00e7y\u00fcs der ki, \u201cAl\u00e7akg\u00f6n\u00fcll\u00fcl\u00fck t\u00fcm erdemlerin sa\u011flam temelidir.\u201d Ger\u00e7ekten, eski \u00c7inliler bir Konf\u00fc\u00e7y\u00fcs\u00e7\u00fc liderin al\u00e7akg\u00f6n\u00fcll\u00fc olmas\u0131 gerekti\u011fine inan\u0131yordu, al\u00e7akg\u00f6n\u00fcll\u00fc ve empatik ve insanlar\u0131 dinleyen ve her zaman ihtiya\u00e7lar\u0131na kar\u015f\u0131 duyarl\u0131 olan biri. Bir lider ancak bu niteliklerle ger\u00e7ekten etkili ve ilham verici olabilir.<\/p>\n\n\n\n

Bir B\u00fct\u00fcnl\u00fck Portresi<\/strong><\/h2>\n\n\n\n

Qiu Ying\u2019in “Han Saray\u0131nda \u0130lkbahar Sabah\u0131” Han Hanedanl\u0131\u011f\u0131 (M\u00d6 206\u2013M.S. 220) saray\u0131ndaki saray han\u0131mlar\u0131n\u0131 tasvir eden uzun bir el kayd\u0131rma sanat\u0131d\u0131r. Solda Han saray kap\u0131lar\u0131 a\u00e7\u0131l\u0131r ve bizi binalar\u0131n aras\u0131na serpi\u015ftirilmi\u015f a\u011fa\u00e7lar ve bah\u00e7e kayalar\u0131 ile zengin mimari ve avlular\u0131n i\u00e7inden ge\u00e7irir. \u0130lk birka\u00e7 manzara, zarif saray han\u0131mlar\u0131n\u0131n \u00e7e\u015fitli yava\u015f aktivitelere kat\u0131lmas\u0131yla bize g\u00f6rkemli ya\u015famdan bir fikir veriyor.<\/p>\n\n\n\n

Saray\u0131n eteklerinde bir bayan g\u00f6lde bal\u0131klar\u0131 seyretmek i\u00e7in \u00e7ocuklar\u0131yla birlikte raylar\u0131n \u00fczerinden e\u011filir. Bir bayan onlara yiyecek f\u0131rlat\u0131rken iki tavus ku\u015fu yemeklerini iple \u00e7ekerek bekler.<\/p>\n\n\n\n

\"\"<\/a>
Qiu Ying’in yazd\u0131\u011f\u0131 “Han Saray\u0131nda \u0130lkbahar Sabah\u0131” el kayd\u0131rmas\u0131n\u0131n ilk b\u00f6l\u00fcm\u00fc \/ Taipei, Tayvan’daki Ulusal Saray M\u00fczesi. (Kamusal)
<\/figcaption><\/figure><\/div>\n\n\n\n

Burada saray han\u0131mlar\u0131 bir topluluk olu\u015fturmak ve lavta ve pipa gibi m\u00fczik aletlerini \u00e7almak i\u00e7in bir araya geliyorlar. Bir han\u0131mefendi bir kantonun iplerini ayarlarken, ikinci bir bayan ba\u015fka bir kanunu \u00e7\u00f6zer ve onlara kat\u0131lmak \u00fczeredir. Sa\u011fda, iki bayan bir \u015feyler at\u0131\u015ft\u0131r\u0131rken di\u011ferleri m\u00fczikle dans ediyor gibi g\u00f6r\u00fcn\u00fcyor. <\/p>\n\n\n\n

\"\"<\/a>

Qiu Ying’in “Han Saray\u0131nda \u0130lkbahar Sabah\u0131” nda bo\u015f zamanlar\u0131n\u0131n
tad\u0131n\u0131 \u00e7\u0131karan saray han\u0131mlar\u0131 \/ Taipei, Tayvan’daki Ulusal Saray M\u00fczesi. (Kamusal)<\/figcaption><\/figure><\/div>\n\n\n\n

Kad\u0131nlar\u0131n stat\u00fcleri sa\u00e7 s\u00fcslemeleriyle farkl\u0131la\u015fabilir; y\u00fcksek r\u00fctbeli saray han\u0131mlar\u0131n\u0131n ye\u015fim ve alt\u0131n sa\u00e7 tokalar\u0131 ile daha s\u00fcsl\u00fc sa\u00e7 modelleri varken, hizmet\u00e7ilerin daha sade sa\u00e7 stilleri vard\u0131r. <\/p>\n\n\n\n

Resmi kayd\u0131rd\u0131k\u00e7a, bir saray han\u0131m\u0131n\u0131n \u00e7ok say\u0131da borudan yap\u0131lm\u0131\u015f bir \u00c7in kam\u0131\u015f\u0131 aleti olan bir sheng ta\u015f\u0131rken merdivenlerden yukar\u0131 do\u011fru y\u00fcr\u00fcd\u00fc\u011f\u00fcn\u00fc g\u00f6r\u00fcyoruz. Duru\u015fu ve t\u00f6kezlemesi, geleneksel ayak ba\u011flama uygulamas\u0131na i\u015faret ediyor. Solda, birka\u00e7 bayan \u00e7i\u00e7ek d\u00fczenlerken, sol \u00fcstteki iki bayan bir roman\u0131n keyfini \u00e7\u0131kar\u0131yor.<\/p>\n\n\n\n

\"\"<\/a>
Han\u0131mefendiler, Qiu Ying’in yazd\u0131\u011f\u0131 “Han Saray\u0131nda \u0130lkbahar Sabah\u0131” nda \u00e7i\u00e7ek d\u00fczenlemeyi ve kurgu okumay\u0131 severler \/ Taipei, Tayvan’daki Ulusal Saray M\u00fczesi. (Kamusal)
<\/figcaption><\/figure>\n\n\n\n

Ba\u015fka bir sahnede, saray han\u0131mlar\u0131 eski bir \u00c7in masa oyunu olan weiqi oyunu oynarlar. Solda, baz\u0131lar\u0131 yeni dokunmu\u015f bir ipek rulosu haz\u0131rlarken, hemen yukar\u0131da, baz\u0131lar\u0131 karma\u015f\u0131k bir goblen dokuyor. Yanlar\u0131nda iki \u00e7ocu\u011fuyla oynayan bir anne var.<\/p>\n\n\n\n

\"\"<\/a>

Saray han\u0131mlar\u0131 ipek haz\u0131rlar ve di\u011ferleri, bir masa oyunu oynarlar Qiu Ying’in yazd\u0131\u011f\u0131 “Han Saray\u0131nda Bahar Sabah\u0131” nda \/ Taipei, Tayvan’daki Ulusal Saray M\u00fczesi. (Kamusal)<\/figcaption><\/figure>\n\n\n\n

Bir Doland\u0131r\u0131c\u0131l\u0131k<\/h2>\n\n\n\n

\u015eimdiye kadar, bu tasvirler saray ya\u015fam\u0131n\u0131n ahenkli yan\u0131n\u0131 sunuyor. Ancak bir sonraki sahne saray ya\u015fam\u0131n\u0131n daha rekabet\u00e7i y\u00f6n\u00fcn\u00fc g\u00f6steriyor. Qiu Ying asl\u0131nda Han Hanedanl\u0131\u011f\u0131 \u0130mparatoru Yuan’\u0131n cariyelerini tasvir eden bir anlat\u0131 \u00e7izdi.<\/p>\n\n\n\n

\u0130mparatorun, kimi e\u015f olarak se\u00e7ece\u011fine karar verebilmesi i\u00e7in, onlarla g\u00f6r\u00fc\u015fmeden \u00f6nce saray\u0131nda kad\u0131nlar\u0131n portrelerinin sunulmas\u0131 eski bir \u00c7in gelene\u011fiydi.<\/p>\n\n\n\n

Tasvir edilen skandal, belirli bir saray bayan\u0131n\u0131 i\u00e7eriyordu.<\/p>\n\n\n\n

\u0130mparatorun dikkatini \u00e7ekmek i\u00e7in saray han\u0131mlar\u0131 s\u0131k s\u0131k saray sanat\u00e7\u0131s\u0131 Mao Yanshou’ya onlar\u0131 ger\u00e7ekte olduklar\u0131ndan daha g\u00fczel resmetmesi i\u00e7in r\u00fc\u015fvet verdiler. Bir saray han\u0131m\u0131, Wang Zhaojun, d\u00fcr\u00fcst kalbinden dolay\u0131 sanat\u00e7\u0131ya r\u00fc\u015fvet vermeyi reddetti. Mao Yanshou intikam almak ad\u0131na onu y\u00fcz\u00fcnde benlerle \u00e7irkin olarak tasvir etti.<\/p>\n\n\n\n

\"\"<\/a>
Saray sanat\u00e7\u0131s\u0131 Mao Yanshou, Qiu Ying’in yazd\u0131\u011f\u0131 \u201cHan Saray\u0131nda Bahar Sabah\u0131\u201d nda
Bayan Wang Zhaojun’u resmetmektedir. (Taipei, Tayvan’daki Ulusal Saray M\u00fczesi)<\/figcaption><\/figure><\/div>\n\n\n\n

Resimde, sanat\u00e7\u0131 portresini boyarken Wang Zhaojun bir ekran\u0131n \u00f6n\u00fcnde oturuyor. Yan taraftaki di\u011fer cariyeler, resmin ilerleyi\u015fini izlerken kendi aralar\u0131nda tart\u0131\u015f\u0131p dedikodu yap\u0131yorlar.<\/p>\n\n\n\n

Bir bayan, alan\u0131 g\u00f6zetlemek i\u00e7in k\u0131skan\u00e7l\u0131kla ekran\u0131n arkas\u0131ndan g\u00f6z atar. \u00d6n plandaki iki harema\u011fas\u0131, r\u00fc\u015fvetlerin ve Mao Yanshou\u2019nun sahtekarl\u0131\u011f\u0131n\u0131n fark\u0131nda olduklar\u0131ndan, y\u00fczlerinde s\u0131r\u0131t\u0131\u015flarla birbirleriyle sohbet eder. Had\u0131mlar, imparator d\u0131\u015f\u0131nda kimsenin hamile b\u0131rakmamas\u0131n\u0131 sa\u011flamak i\u00e7in saray kad\u0131nlar\u0131n\u0131 koruyan k\u0131s\u0131rla\u015ft\u0131r\u0131lm\u0131\u015f erkeklerdi.<\/p>\n\n\n\n

Hikayede, \u0130mparator Yuan, Mao Yanshou\u2019nun bozuk portresini g\u00f6rd\u00fckten sonra, Wang Zhaojun’u hi\u00e7 ziyaret etmedi ve d\u00fc\u015f\u00fck stat\u00fcde bekleyen bir kad\u0131n olarak kald\u0131.<\/p>\n\n\n\n

Bir g\u00fcn kuzeyden Xiongnu imparatorlu\u011funun h\u00fck\u00fcmdar\u0131, evlilik yoluyla dostane bir ili\u015fki aramak i\u00e7in Han saray\u0131na geldi. K\u00fc\u00e7\u00fck imparatorlu\u011fu barbarlarla dolu g\u00f6ren imparator, kad\u0131nlar\u0131 aras\u0131nda en az \u00e7ekici oldu\u011funa inanarak Wang Zhaojun’u gelin olarak se\u00e7ti. Ancak \u0130mparator Yuan, saraydaki en g\u00fczel kad\u0131n oldu\u011funu ancak \u00e7a\u011fr\u0131ld\u0131\u011f\u0131nda anlad\u0131. Ama \u00e7ok ge\u00e7ti; teklif yap\u0131lm\u0131\u015ft\u0131. Mao Yanshou\u2019nun aldatmacas\u0131ndan \u00f6fkelenen imparator, sanat\u00e7\u0131n\u0131n idam edilmesini emretti.<\/p>\n\n\n\n

Resimdeki bu sahne r\u00fc\u015fvetin g\u00fcnahlar\u0131na kar\u015f\u0131 uyar\u0131da bulunmakta ve Konf\u00fc\u00e7y\u00fcs\u00e7\u00fc adalet ve do\u011fruluk de\u011ferlerinin \u00f6nemini vurgulamaktad\u0131r. Sanat\u00e7\u0131, r\u00fc\u015fveti isteyerek, kabul ederek ve Wang Zhaojun\u2019un sarayda \u015fans\u0131na zarar vererek kendi kaderini belirledi.<\/p>\n\n\n\n

Konf\u00fc\u00e7y\u00fcs, \u201c\u00dcst\u00fcn adam do\u011frulu\u011fun fark\u0131ndad\u0131r; a\u015fa\u011f\u0131l\u0131k adam avantaj\u0131n fark\u0131ndad\u0131r.” der. Konf\u00fc\u00e7y\u00fcs\u00e7\u00fc d\u00fc\u015f\u00fcnce, kazan\u00e7 ve k\u00e2r taraf\u0131ndan y\u00f6nlendirilmek yerine iyiyi yapma sorumlulu\u011funa dayal\u0131 kararlar alma, ahlaki zekaya sahip olmay\u0131 vurgular. Sadece erdemli bir y\u00fcrekle karakterde g\u00fczellik olabilir.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

Yazan; Mike Cai \/ The Epoch Times
\u00c7eviri; \u015eenda\u011f G\u00f6k\u00e7e \/ Epoch Times T\u00fcrkiye<\/p>\n\n\n\n

* Mike Cai, New York Fei Tian Sanat Akademisi ve California \u00dcniversitesi \u2013 Berkeley’den mezun olmu\u015ftur.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Skandallar\u0131n \u00f6\u011fretti\u011fi dersler Skandallar cezbeder ve bizi ikna eder. Skandal olaylar bug\u00fcn ate\u015fli bir \u015fekilde tart\u0131\u015f\u0131l\u0131rken, eski \u00c7inliler \u00e7o\u011fu zaman ahlaki dersler vermek i\u00e7in sanat konular\u0131 gibi olaylar\u0131 kulland\u0131lar. Bu olaylar sanat yoluyla ebedi hale getirildi ve b\u00f6ylece antik \u00c7in d\u00fc\u015f\u00fcncesine ili\u015fkin de\u011ferler, g\u00fcn\u00fcm\u00fcz toplumuna i\u00e7 g\u00f6r\u00fcler sundu. Ming Hanedanl\u0131\u011f\u0131 (1368-1644) s\u0131ras\u0131nda sanat\u00e7\u0131lar genellikle kad\u0131nlar\u0131 […]<\/p>\n","protected":false},"author":12791,"featured_media":127632,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"","_yoast_wpseo_title":"","_yoast_wpseo_metadesc":"","_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":"","_yoast_wpseo_focuskw_text_input":""},"categories":[41,8,519,6916,16],"tags":[7685,2477,6875,7686],"yoast_head":"\nAl\u00e7akg\u00f6n\u00fcll\u00fcl\u00fck ve D\u00fcr\u00fcstl\u00fck \u00dczerine Eski \u00c7in Resimleri - The Epoch Times TR<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Al\u00e7akg\u00f6n\u00fcll\u00fcl\u00fck ve D\u00fcr\u00fcstl\u00fck \u00dczerine Eski \u00c7in Resimleri - The Epoch Times TR\" \/>\n<meta property=\"og:description\" content=\"Skandallar\u0131n \u00f6\u011fretti\u011fi dersler Skandallar cezbeder ve bizi ikna eder. Skandal olaylar bug\u00fcn ate\u015fli bir \u015fekilde tart\u0131\u015f\u0131l\u0131rken, eski \u00c7inliler \u00e7o\u011fu zaman ahlaki dersler vermek i\u00e7in sanat konular\u0131 gibi olaylar\u0131 kulland\u0131lar. Bu olaylar sanat yoluyla ebedi hale getirildi ve b\u00f6ylece antik \u00c7in d\u00fc\u015f\u00fcncesine ili\u015fkin de\u011ferler, g\u00fcn\u00fcm\u00fcz toplumuna i\u00e7 g\u00f6r\u00fcler sundu. Ming Hanedanl\u0131\u011f\u0131 (1368-1644) s\u0131ras\u0131nda sanat\u00e7\u0131lar genellikle kad\u0131nlar\u0131 […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri\" \/>\n<meta property=\"og:site_name\" content=\"The Epoch Times TR\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/theepochtimestr\" \/>\n<meta property=\"article:published_time\" content=\"2020-09-12T09:15:49+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-09-14T11:29:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/epochtimestr.com\/wp-content\/uploads\/2011y\/Tao-Gu-Antik-\u00c7in.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"700\" \/>\n\t<meta property=\"og:image:height\" content=\"420\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Haber Merkezi\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@TheEpochTimesTR\" \/>\n<meta name=\"twitter:site\" content=\"@TheEpochTimesTR\" \/>\n<meta name=\"twitter:label1\" content=\"Yazan:\" \/>\n\t<meta name=\"twitter:data1\" content=\"Haber Merkezi\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tahmini okuma s\u00fcresi\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 dakika\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri#article\",\"isPartOf\":{\"@id\":\"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri\"},\"author\":{\"name\":\"Haber Merkezi\",\"@id\":\"https:\/\/epochtimestr.com\/#\/schema\/person\/3dc5c3adeb9f43923c5aa85889172fdd\"},\"headline\":\"Al\u00e7akg\u00f6n\u00fcll\u00fcl\u00fck ve D\u00fcr\u00fcstl\u00fck \u00dczerine Eski \u00c7in Resimleri\",\"datePublished\":\"2020-09-12T09:15:49+00:00\",\"dateModified\":\"2020-09-14T11:29:24+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri\"},\"wordCount\":2005,\"publisher\":{\"@id\":\"https:\/\/epochtimestr.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri#primaryimage\"},\"thumbnailUrl\":\"https:\/\/epochtimestr.com\/wp-content\/uploads\/2011y\/Tao-Gu-Antik-\u00c7in.jpg\",\"keywords\":[\"Al\u00e7akg\u00f6n\u00fcll\u00fcl\u00fck\",\"antik \u00e7in hikayeleri\",\"Antik \u00c7in K\u00fclt\u00fcr\u00fc\",\"D\u00fcr\u00fcstl\u00fck\"],\"articleSection\":[\"Antik \u00c7in K\u00fclt\u00fcr\u00fc\",\"\u00c7\u0130N\",\"ED\u0130T\u00d6R\u00dcN SE\u00c7\u0130M\u0130\",\"Plastik Sanatlar\",\"SANAT ve K\u00dcLT\u00dcR\"],\"inLanguage\":\"tr\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri\",\"url\":\"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri\",\"name\":\"Al\u00e7akg\u00f6n\u00fcll\u00fcl\u00fck ve D\u00fcr\u00fcstl\u00fck \u00dczerine Eski \u00c7in Resimleri - The Epoch Times TR\",\"isPartOf\":{\"@id\":\"https:\/\/epochtimestr.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri#primaryimage\"},\"image\":{\"@id\":\"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri#primaryimage\"},\"thumbnailUrl\":\"https:\/\/epochtimestr.com\/wp-content\/uploads\/2011y\/Tao-Gu-Antik-\u00c7in.jpg\",\"datePublished\":\"2020-09-12T09:15:49+00:00\",\"dateModified\":\"2020-09-14T11:29:24+00:00\",\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri#primaryimage\",\"url\":\"https:\/\/epochtimestr.com\/wp-content\/uploads\/2011y\/Tao-Gu-Antik-\u00c7in.jpg\",\"contentUrl\":\"https:\/\/epochtimestr.com\/wp-content\/uploads\/2011y\/Tao-Gu-Antik-\u00c7in.jpg\",\"width\":700,\"height\":420},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/epochtimestr.com\/#website\",\"url\":\"https:\/\/epochtimestr.com\/\",\"name\":\"The Epoch Times TR\",\"description\":\"De\u011fi\u015fen D\u00fcnyam\u0131za Taze Bir Bak\u0131\u015f\",\"publisher\":{\"@id\":\"https:\/\/epochtimestr.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/epochtimestr.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"tr\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/epochtimestr.com\/#organization\",\"name\":\"The EpochTimes T\u00fcrkiye\",\"url\":\"https:\/\/epochtimestr.com\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\/\/epochtimestr.com\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/epochtimestr.com\/wp-content\/uploads\/2011y\/ET-Logo-YG.jpg\",\"contentUrl\":\"https:\/\/epochtimestr.com\/wp-content\/uploads\/2011y\/ET-Logo-YG.jpg\",\"width\":346,\"height\":29,\"caption\":\"The EpochTimes T\u00fcrkiye\"},\"image\":{\"@id\":\"https:\/\/epochtimestr.com\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/theepochtimestr\",\"https:\/\/x.com\/TheEpochTimesTR\",\"https:\/\/www.instagram.com\/epochtimestr\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/epochtimestr.com\/#\/schema\/person\/3dc5c3adeb9f43923c5aa85889172fdd\",\"name\":\"Haber Merkezi\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\/\/epochtimestr.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/d73f772ba5a74f28601361e17c2f93e6?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/d73f772ba5a74f28601361e17c2f93e6?s=96&d=mm&r=g\",\"caption\":\"Haber Merkezi\"},\"url\":\"https:\/\/epochtimestr.com\/index.php\/author\/sendag\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Al\u00e7akg\u00f6n\u00fcll\u00fcl\u00fck ve D\u00fcr\u00fcstl\u00fck \u00dczerine Eski \u00c7in Resimleri - The Epoch Times TR","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri","og_locale":"tr_TR","og_type":"article","og_title":"Al\u00e7akg\u00f6n\u00fcll\u00fcl\u00fck ve D\u00fcr\u00fcstl\u00fck \u00dczerine Eski \u00c7in Resimleri - The Epoch Times TR","og_description":"Skandallar\u0131n \u00f6\u011fretti\u011fi dersler Skandallar cezbeder ve bizi ikna eder. Skandal olaylar bug\u00fcn ate\u015fli bir \u015fekilde tart\u0131\u015f\u0131l\u0131rken, eski \u00c7inliler \u00e7o\u011fu zaman ahlaki dersler vermek i\u00e7in sanat konular\u0131 gibi olaylar\u0131 kulland\u0131lar. Bu olaylar sanat yoluyla ebedi hale getirildi ve b\u00f6ylece antik \u00c7in d\u00fc\u015f\u00fcncesine ili\u015fkin de\u011ferler, g\u00fcn\u00fcm\u00fcz toplumuna i\u00e7 g\u00f6r\u00fcler sundu. Ming Hanedanl\u0131\u011f\u0131 (1368-1644) s\u0131ras\u0131nda sanat\u00e7\u0131lar genellikle kad\u0131nlar\u0131 […]","og_url":"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri","og_site_name":"The Epoch Times TR","article_publisher":"https:\/\/www.facebook.com\/theepochtimestr","article_published_time":"2020-09-12T09:15:49+00:00","article_modified_time":"2020-09-14T11:29:24+00:00","og_image":[{"width":700,"height":420,"url":"https:\/\/epochtimestr.com\/wp-content\/uploads\/2011y\/Tao-Gu-Antik-\u00c7in.jpg","type":"image\/jpeg"}],"author":"Haber Merkezi","twitter_card":"summary_large_image","twitter_creator":"@TheEpochTimesTR","twitter_site":"@TheEpochTimesTR","twitter_misc":{"Yazan:":"Haber Merkezi","Tahmini okuma s\u00fcresi":"10 dakika"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri#article","isPartOf":{"@id":"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri"},"author":{"name":"Haber Merkezi","@id":"https:\/\/epochtimestr.com\/#\/schema\/person\/3dc5c3adeb9f43923c5aa85889172fdd"},"headline":"Al\u00e7akg\u00f6n\u00fcll\u00fcl\u00fck ve D\u00fcr\u00fcstl\u00fck \u00dczerine Eski \u00c7in Resimleri","datePublished":"2020-09-12T09:15:49+00:00","dateModified":"2020-09-14T11:29:24+00:00","mainEntityOfPage":{"@id":"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri"},"wordCount":2005,"publisher":{"@id":"https:\/\/epochtimestr.com\/#organization"},"image":{"@id":"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri#primaryimage"},"thumbnailUrl":"https:\/\/epochtimestr.com\/wp-content\/uploads\/2011y\/Tao-Gu-Antik-\u00c7in.jpg","keywords":["Al\u00e7akg\u00f6n\u00fcll\u00fcl\u00fck","antik \u00e7in hikayeleri","Antik \u00c7in K\u00fclt\u00fcr\u00fc","D\u00fcr\u00fcstl\u00fck"],"articleSection":["Antik \u00c7in K\u00fclt\u00fcr\u00fc","\u00c7\u0130N","ED\u0130T\u00d6R\u00dcN SE\u00c7\u0130M\u0130","Plastik Sanatlar","SANAT ve K\u00dcLT\u00dcR"],"inLanguage":"tr"},{"@type":"WebPage","@id":"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri","url":"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri","name":"Al\u00e7akg\u00f6n\u00fcll\u00fcl\u00fck ve D\u00fcr\u00fcstl\u00fck \u00dczerine Eski \u00c7in Resimleri - The Epoch Times TR","isPartOf":{"@id":"https:\/\/epochtimestr.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri#primaryimage"},"image":{"@id":"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri#primaryimage"},"thumbnailUrl":"https:\/\/epochtimestr.com\/wp-content\/uploads\/2011y\/Tao-Gu-Antik-\u00c7in.jpg","datePublished":"2020-09-12T09:15:49+00:00","dateModified":"2020-09-14T11:29:24+00:00","inLanguage":"tr","potentialAction":[{"@type":"ReadAction","target":["https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri"]}]},{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/epochtimestr.com\/index.php\/alcakgonulluluk-ve-durustluk-uzerine-eski-cin-resimleri#primaryimage","url":"https:\/\/epochtimestr.com\/wp-content\/uploads\/2011y\/Tao-Gu-Antik-\u00c7in.jpg","contentUrl":"https:\/\/epochtimestr.com\/wp-content\/uploads\/2011y\/Tao-Gu-Antik-\u00c7in.jpg","width":700,"height":420},{"@type":"WebSite","@id":"https:\/\/epochtimestr.com\/#website","url":"https:\/\/epochtimestr.com\/","name":"The Epoch Times TR","description":"De\u011fi\u015fen D\u00fcnyam\u0131za Taze Bir Bak\u0131\u015f","publisher":{"@id":"https:\/\/epochtimestr.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/epochtimestr.com\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"tr"},{"@type":"Organization","@id":"https:\/\/epochtimestr.com\/#organization","name":"The EpochTimes T\u00fcrkiye","url":"https:\/\/epochtimestr.com\/","logo":{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/epochtimestr.com\/#\/schema\/logo\/image\/","url":"https:\/\/epochtimestr.com\/wp-content\/uploads\/2011y\/ET-Logo-YG.jpg","contentUrl":"https:\/\/epochtimestr.com\/wp-content\/uploads\/2011y\/ET-Logo-YG.jpg","width":346,"height":29,"caption":"The EpochTimes T\u00fcrkiye"},"image":{"@id":"https:\/\/epochtimestr.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/theepochtimestr","https:\/\/x.com\/TheEpochTimesTR","https:\/\/www.instagram.com\/epochtimestr"]},{"@type":"Person","@id":"https:\/\/epochtimestr.com\/#\/schema\/person\/3dc5c3adeb9f43923c5aa85889172fdd","name":"Haber Merkezi","image":{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/epochtimestr.com\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/d73f772ba5a74f28601361e17c2f93e6?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d73f772ba5a74f28601361e17c2f93e6?s=96&d=mm&r=g","caption":"Haber Merkezi"},"url":"https:\/\/epochtimestr.com\/index.php\/author\/sendag"}]}},"_links":{"self":[{"href":"https:\/\/epochtimestr.com\/index.php\/wp-json\/wp\/v2\/posts\/127508"}],"collection":[{"href":"https:\/\/epochtimestr.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/epochtimestr.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/epochtimestr.com\/index.php\/wp-json\/wp\/v2\/users\/12791"}],"replies":[{"embeddable":true,"href":"https:\/\/epochtimestr.com\/index.php\/wp-json\/wp\/v2\/comments?post=127508"}],"version-history":[{"count":13,"href":"https:\/\/epochtimestr.com\/index.php\/wp-json\/wp\/v2\/posts\/127508\/revisions"}],"predecessor-version":[{"id":129394,"href":"https:\/\/epochtimestr.com\/index.php\/wp-json\/wp\/v2\/posts\/127508\/revisions\/129394"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/epochtimestr.com\/index.php\/wp-json\/wp\/v2\/media\/127632"}],"wp:attachment":[{"href":"https:\/\/epochtimestr.com\/index.php\/wp-json\/wp\/v2\/media?parent=127508"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/epochtimestr.com\/index.php\/wp-json\/wp\/v2\/categories?post=127508"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/epochtimestr.com\/index.php\/wp-json\/wp\/v2\/tags?post=127508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}