{"id":136327,"date":"2021-09-02T14:56:45","date_gmt":"2021-09-02T11:56:45","guid":{"rendered":"https:\/\/epochtimestr.com\/?p=136327"},"modified":"2021-09-02T14:56:47","modified_gmt":"2021-09-02T11:56:47","slug":"sovalye-olum-ve-seytan-eserindeki-erdemli-kahraman","status":"publish","type":"post","link":"https:\/\/epochtimestr.com\/index.php\/sovalye-olum-ve-seytan-eserindeki-erdemli-kahraman","title":{"rendered":"\u201c\u015e\u00f6valye, \u00d6l\u00fcm ve \u015eeytan\u201d Eserindeki Erdemli Kahraman"},"content":{"rendered":"\n
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\u201c\u015e\u00f6valye, \u00d6l\u00fcm ve \u015eeytan\u201ddan bir detay. \u015e\u00f6valye\u2019nin yol arkada\u015flar\u0131n\u0131n olu\u015fturdu\u011fu tehditlere ra\u011fmen sakin oldu\u011fu a\u00e7\u0131k\u00e7a g\u00f6r\u00fcn\u00fcyor. Metropolitan Sanat M\u00fczesi, New York. (Kullan\u0131m\u0131 serbest)<\/figcaption><\/figure><\/div>\n\n\n\n

En Derine Ula\u015fmak: Geleneksel sanat, kalbimize nas\u0131l bir yol g\u00f6steriyor? <\/h2>\n\n\n\n

Bazen kendi hayat hikayemin kahraman\u0131 olman\u0131n anlam\u0131n\u0131 merak ediyorum. Zorluklara ra\u011fmen nas\u0131l erdemli ve onurlu bir ya\u015fam s\u00fcrd\u00fcrebiliriz? Bu asl\u0131nda al\u0131\u015f\u0131lmad\u0131k bir soru de\u011fil. Tarih boyunca farkl\u0131 yerlerdeki k\u00fclt\u00fcrler bu soruya cevap bulmaya \u00e7al\u0131\u015ft\u0131lar.<\/p>\n\n\n\n

Albrecht D\u00fcrer, Bask\u0131 Resim<\/h3>\n\n\n\n

15. y\u00fczy\u0131l\u0131n sonlar\u0131nda Almanya\u2019da do\u011fan Albrecht D\u00fcrer, R\u00f6nesans d\u00f6neminde maneviyatla ilgili sorular soran bir\u00e7ok sanat\u00e7\u0131dan biriydi. Ba\u015far\u0131l\u0131 bir \u00e7izer ve ressamd\u0131; ancak en b\u00fcy\u00fck eserlerinin \u00e7o\u011fu bask\u0131 resim ortam\u0131nda kald\u0131. Bask\u0131 resmi zirvelere ta\u015f\u0131d\u0131 ve ba\u011f\u0131ms\u0131z bir sanat formu olarak kabul ettirdi.<\/p>\n\n\n\n

En \u00f6nemli bask\u0131 serilerinden biri, \u00fc\u00e7 resimden olu\u015fan \u201cMeisterstiche\u201d veya ana grav\u00fcrleridir: \u201cAziz Jerome \u00c7al\u0131\u015fma Odas\u0131nda\u201d, \u201cMelankoli\u201d ve \u201c\u015e\u00f6valye, \u00d6l\u00fcm ve \u015eeytan\u201d.<\/p>\n\n\n\n

Metropolitan Museum of Art web sitesine g\u00f6re, bu \u00fc\u00e7 bask\u0131 \u201chalktan hayranlardan ziyade, uzmanlar ve koleksiyonculara y\u00f6nelik \u00e7izilmi\u015fti\u201d. Bu da bask\u0131lardaki sembolizmin s\u0131n\u0131rl\u0131 bir izleyici kitlesine hitap etti\u011fini g\u00f6steriyor. Bu \u00fc\u00e7 bask\u0131n\u0131n ard\u0131ndaki \u00f6zel anlamlar bug\u00fcn hala bilim adamlar\u0131n\u0131 \u015fa\u015f\u0131rt\u0131yor.<\/p>\n\n\n\n

Bununla birlikte bu bask\u0131lardan sadece orta\u00e7a\u011f skolastik felsefesindeki ahlak kavramlar\u0131na kar\u015f\u0131l\u0131k gelen \u201c\u015e\u00f6valye, \u00d6l\u00fcm ve \u015eeytan\u201da bakaca\u011f\u0131z. Amac\u0131m\u0131z, 1500\u2019l\u00fc y\u0131llarda uzman ve koleksiyonerlerin sembolik imgeler hakk\u0131nda ne d\u00fc\u015f\u00fcnd\u00fcklerini \u00e7\u00f6zmek de\u011fil, bu g\u00f6r\u00fcnt\u00fcn\u00fcn bug\u00fcn bizim i\u00e7in maneviyata dair anlaml\u0131 sorular\u0131 g\u00f6sterip g\u00f6stermedi\u011fini a\u00e7\u0131\u011fa \u00e7\u0131karmakt\u0131r.<\/p>\n\n\n\n

\u2018\u015e\u00f6valye, \u00d6l\u00fcm ve \u015eeytan\u2019<\/h3>\n\n\n\n

D\u00fcrer\u2019in \u201c\u015e\u00f6valye, \u00d6l\u00fcm ve \u015eeytan\u201dda betimledi\u011fi d\u00f6rt \u00f6nemli fig\u00fcr vard\u0131r: At \u00fczerinde bir \u015f\u00f6valye, ba\u015fka bir ata binen \u00d6l\u00fcm, \u015eeytan ve bir k\u00f6pek.<\/p>\n\n\n\n

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\u201c\u015e\u00f6valye, \u00d6l\u00fcm ve \u015eeytan\u201d, 1513, Albrecht D\u00fcrer. 24,6 x 18,9 cm Grav\u00fcr. Metropolitan Sanat M\u00fczesi, New York. (Kullan\u0131m\u0131 serbest)<\/figcaption><\/figure><\/div>\n\n\n\n

\u015e\u00f6valye sava\u015fa haz\u0131rm\u0131\u015f gibi tam z\u0131rh i\u00e7indedir. Bir m\u0131zrak tutmakta ve omzuyla desteklemektedir. Di\u011fer eliyle at\u0131n\u0131n dizginlerini kavram\u0131\u015ft\u0131r. At\u0131 ileri do\u011fru y\u00fcr\u00fcrken \u015f\u00f6valye do\u011frudan \u00f6n\u00fcne bakmaktad\u0131r. Bir k\u00f6pek \u015e\u00f6valyenin at\u0131n\u0131 yak\u0131ndan takip etmektedir.<\/p>\n\n\n\n

Kompozisyon olarak, \u00d6l\u00fcm \u015e\u00f6valyenin solundad\u0131r. \u00d6l\u00fcm, \u00fczerinde birbirine dola\u015fm\u0131\u015f y\u0131lanlar olan bir ta\u00e7 takmakta ve elinde bir kum saati tutmaktad\u0131r. Ayr\u0131ca bindi\u011fi at, \u015e\u00f6valye\u2019nin \u00f6n\u00fcndeki a\u011fa\u00e7 k\u00fct\u00fc\u011f\u00fcn\u00fcn \u00fczerindeki bir kafatas\u0131na do\u011fru ba\u015f\u0131n\u0131 e\u011fmi\u015ftir. \u00d6l\u00fcm do\u011frudan \u015e\u00f6valye\u2019ye bakmaktad\u0131r.<\/p>\n\n\n\n

\u015eeytan, \u015e\u00f6valye\u2019yi arkadan dikkatle izlemektedir. D\u00fcrer, \u015eeytan\u2019\u0131 hayali bir canavar olarak tasvir eder: Ke\u00e7i benzeri kulaklar\u0131, ko\u00e7 boynuzlar\u0131, ba\u015f\u0131n\u0131n arkas\u0131nda gergedan\u0131 and\u0131ran bir boynuzu, kurda benzer bir \u00e7enesi, domuz burnu ve a\u011fz\u0131n\u0131n iki yan\u0131ndan sarkan uzun g\u0131d\u0131lar\u0131 vard\u0131r. Elinde keskin bir silah tutmakta ve di\u011fer eliyle \u015e\u00f6valyenin s\u0131rt\u0131na uzanmaktad\u0131r.<\/p>\n\n\n\n

\"\"
\u201c\u015e\u00f6valye, \u00d6l\u00fcm ve \u015eeytan\u201d\u0131n bu detay\u0131nda, yol arkada\u015flar\u0131n\u0131n tehditlerine ra\u011fmen \u015e\u00f6valyenin sakin oldu\u011fu a\u00e7\u0131k. Metropolitan Sanat M\u00fczesi, New York. (Kullan\u0131m\u0131 serbest)<\/figcaption><\/figure><\/div>\n\n\n\n

Da\u011fl\u0131k arazinin keskin kayalar\u0131 ve budakl\u0131 a\u011fa\u00e7lar\u0131 zorlu bir yolculuk izlenimi veriyor. Ancak uzakta, da\u011f\u0131n zirvesinde g\u00f6ky\u00fcz\u00fcne do\u011fru uzanan bir kale g\u00f6r\u00fclmektedir.<\/p>\n\n\n\n

\"\"
\u201c\u015e\u00f6valye, \u00d6l\u00fcm ve \u015eeytan\u201d\u0131n bu detay\u0131nda, \u015e\u00f6valyenin yolculuk etti\u011fini d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm\u00fcz kale g\u00f6r\u00fclmektedir. Metropolitan Sanat M\u00fczesi, New York. (Kullan\u0131m\u0131 serbest)<\/figcaption><\/figure><\/div>\n\n\n\n

Erdemli Kahraman<\/h3>\n\n\n\n

\u015e\u00f6valyenin bir yolculukta oldu\u011fu a\u015fikar ama nereye gidiyor? Bu yolculukta di\u011fer fig\u00fcrlerle ili\u015fkisi nedir ve bu ili\u015fki bize manevi a\u00e7\u0131dan nas\u0131l bir bilgi veriyor?<\/p>\n\n\n\n

\u00d6nce bu fig\u00fcrlerin neyi sembolize edebilece\u011fiyle ba\u015flayal\u0131m. \u015e\u00f6valye bizim erdemli kahraman\u0131m\u0131z. Yolculu\u011fu boyunca \u00f6l\u00fcml\u00fc d\u00fc\u015fmanlarla sava\u015fmak i\u00e7in de\u011fil, \u00d6l\u00fcm ve \u015eeytan\u2019a kar\u015f\u0131 kendini korumak i\u00e7in tam z\u0131rhlanm\u0131\u015f halde ve bir m\u0131zrak ta\u015f\u0131yor.<\/p>\n\n\n\n

A\u011fz\u0131 a\u00e7\u0131k, elinde kum saati olan \u00f6l\u00fcm, \u015e\u00f6valye\u2019yle neredeyse alay eder gibi duruyor. Sanki \u015f\u00f6valyeyi uyar\u0131yormu\u015f gibi, \u201cZaman\u0131n dolmak \u00fczere ve bana, \u00f6l\u00fclerin kral\u0131na boyun e\u011feceksin\u201d. \u00d6l\u00fcm\u2019\u00fcn at\u0131 da \u015f\u00f6valyenin dikkatini \u00e7ekmek i\u00e7in a\u011fa\u00e7 k\u00fct\u00fc\u011f\u00fcndeki kafatas\u0131na do\u011fru e\u011filiyor.<\/p>\n\n\n\n

\u00d6l\u00fcm\u2019\u00fcn tac\u0131ndaki y\u0131lanlar, D\u00fcrer taraf\u0131ndan eklenmi\u015f ilgin\u00e7 bir sembold\u00fcr. Y\u0131lanlar geleneksel olarak hem ya\u015fam\u0131n hem de \u00f6l\u00fcm\u00fcn simgesidir. Ancak H\u0131ristiyan gelene\u011finde y\u0131lanlar hem \u00d6l\u00fcm hem de \u015eeytan ile ili\u015fkilendirildi. \u015eeytan\u2019\u0131n amac\u0131, Tanr\u0131 inanc\u0131n\u0131 baltalamak ve insanlar\u0131 ba\u015ftan \u00e7\u0131karmakt\u0131. Bu nedenle, burada tasvir edilen y\u0131lanlar muhtemelen \u00d6l\u00fcm\u2019\u00fc, \u015eeytan ve g\u00fcnaha girme ile ili\u015fkilendirmektedir.<\/p>\n\n\n\n

\u0130lgin\u00e7tir ki, \u015e\u00f6valye \u00d6l\u00fcm\u2019e bakm\u0131yor; yani, \u00d6l\u00fcm korkusu taraf\u0131ndan \u201ccezbedilmiyor\u201d. Zaman\u0131n\u0131n s\u0131n\u0131rl\u0131 olmas\u0131ndan endi\u015fe etmiyor. Mi\u011fferi, istese bile \u00d6l\u00fcm\u2019e bakmas\u0131n\u0131 engelliyor gibi g\u00f6r\u00fcn\u00fcyor. Bunun yerine, \u015e\u00f6valye d\u00fcmd\u00fcz ileriye bak\u0131yor ve yolculu\u011funa devam ediyor.<\/p>\n\n\n\n

\u015eeytan\u2019\u0131n ger\u00e7ek\u00fcst\u00fc g\u00f6r\u00fcn\u00fcm\u00fc, \u015eeytan\u2019\u0131n ama\u00e7lar\u0131na ula\u015fmak i\u00e7in aldat\u0131c\u0131 bir \u015fekilde farkl\u0131 bi\u00e7imler alma yetene\u011fini g\u00f6stermektedir. \u015eeytan, \u015e\u00f6valyeyi arkadan yakalamak i\u00e7in uzan\u0131yor. \u015e\u00f6valye fark etmemi\u015f gibi g\u00f6r\u00fcn\u00fcyor, bu da \u015eeytan\u2019\u0131n ne kadar kurnaz ve aldat\u0131c\u0131 olabilece\u011fini g\u00f6steriyor.<\/p>\n\n\n\n

\u015e\u00f6valye bir kaya ile sert bir y\u00fczey aras\u0131nda, yani \u00d6l\u00fcm ve \u015eeytan aras\u0131nda s\u0131k\u0131\u015fm\u0131\u015f gibi g\u00f6r\u00fcn\u00fcyor ve bu duygu, kayal\u0131k ve budakl\u0131 arazi taraf\u0131ndan g\u00fc\u00e7lendiriliyor.<\/p>\n\n\n\n

Yoksa \u015e\u00f6valyenin tavr\u0131 farkl\u0131 bir \u015fey mi ima ediyor? Sakin ve sab\u0131rl\u0131 g\u00f6r\u00fcn\u00fcm\u00fc, \u00d6l\u00fcm ve \u015eeytan\u2019dan etkilenmedi\u011fi anlam\u0131na gelebilir.<\/p>\n\n\n\n

At\u0131n yan\u0131ndaki k\u00f6pek sadakatin simgesi olabilir ama neye kar\u015f\u0131 sadakat? B\u00fcy\u00fck ihtimalle \u015e\u00f6valye\u2019ye sadakat. B\u00f6ylece \u015e\u00f6valye bir ahlaki kahraman\u0131, yani bir yolculu\u011fu tamamlamak u\u011fruna g\u00fcnahtan (\u015eeytan) ve korkudan (\u00d6l\u00fcm) etkilenmeyen ki\u015fiyi temsil ediyor.<\/p>\n\n\n\n

Belki de \u015e\u00f6valye\u2019nin \u015eeytan\u2019\u0131 ge\u00e7mi\u015f olmas\u0131, onun \u015eeytan\u2019\u0131n ayartmalar\u0131n\u0131 \u00e7oktan a\u015ft\u0131\u011f\u0131n\u0131 ve mi\u011fferinin \u00d6l\u00fcm\u2019\u00fc g\u00f6rmesini engellemesi, \u00d6l\u00fcm\u2019le ilgilenmedi\u011fini g\u00f6sterir. \u015e\u00f6valyenin etkilenmemi\u015f ve sakin tavr\u0131, \u00d6l\u00fcm ve \u015eeytan\u2019\u0131n hissedilen g\u00fcc\u00fcn\u00fc bile azaltmaktad\u0131r.<\/p>\n\n\n\n

\u00d6yleyse, ya\u015fam yolculu\u011funda erdemli bir kahraman olmak, g\u00fcnah\u0131 korkusuzca g\u00f6z ard\u0131 etmekten mi ibarettir?<\/p>\n\n\n\n

Ve bu yolculu\u011fun hedefi nedir? Kale, resmin geri kalan k\u0131s\u0131mlar\u0131na g\u00f6re bir bar\u0131\u015f alan\u0131 gibi g\u00f6r\u00fcn\u00fcyor. A\u015fa\u011f\u0131daki daha karanl\u0131k, kasvetli ortamla kar\u015f\u0131la\u015ft\u0131r\u0131ld\u0131\u011f\u0131nda, ayd\u0131nl\u0131k ve g\u00f6rkemli bir yer gibi g\u00f6r\u00fcn\u00fcyor. Bu, var\u0131\u015f noktas\u0131n\u0131n bar\u0131\u015f\u00e7\u0131l bir zihin ve kalp oldu\u011funu mu g\u00f6steriyor? E\u011fer \u00f6yleyse ger\u00e7ek bar\u0131\u015f, kahramanca bir \u00e7aba gerektirir.<\/p>\n\n\n\n

Geleneksel sanatlar \u00e7o\u011fu zaman, anlamlar\u0131 modern d\u00fcnyaya adapte olmu\u015f zihinlerimizde kaybolabilecek, manevi g\u00f6r\u00fcnt\u00fcler ve semboller i\u00e7erir. \u201cEn Derine Ula\u015fmak: Geleneksel sanat, kalbimize yol g\u00f6steriyor\u201d serimizde g\u00f6rsel sanatlar\u0131 bug\u00fcn manevi de\u011ferler a\u00e7\u0131s\u0131ndan anlayabilece\u011fimiz \u015fekillerde yorumluyoruz. Ku\u015faklard\u0131r bo\u011fu\u015ftu\u011fumuz sorulara mutlak cevaplar bulaca\u011f\u0131m\u0131z\u0131 varsaym\u0131yoruz, ancak sorular\u0131m\u0131z\u0131n daha \u00f6zg\u00fcn, \u015fefkatli ve cesur insanlar olma yolculu\u011fumuza ilham vermesini umuyoruz.<\/em><\/p>\n\n\n\n

Yazan: Eric Bess, The Epoch Times<\/em>
\u00c7eviren: Hatice Atmaca, Epoch Times T\u00fcrkiye<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

En Derine Ula\u015fmak: Geleneksel sanat, kalbimize nas\u0131l bir yol g\u00f6steriyor? Bazen kendi hayat hikayemin kahraman\u0131 olman\u0131n anlam\u0131n\u0131 merak ediyorum. Zorluklara ra\u011fmen nas\u0131l erdemli ve onurlu bir ya\u015fam s\u00fcrd\u00fcrebiliriz? Bu asl\u0131nda al\u0131\u015f\u0131lmad\u0131k bir soru de\u011fil. Tarih boyunca farkl\u0131 yerlerdeki k\u00fclt\u00fcrler bu soruya cevap bulmaya \u00e7al\u0131\u015ft\u0131lar. Albrecht D\u00fcrer, Bask\u0131 Resim 15. y\u00fczy\u0131l\u0131n sonlar\u0131nda Almanya\u2019da do\u011fan Albrecht D\u00fcrer, […]<\/p>\n","protected":false},"author":12379,"featured_media":136328,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"","_yoast_wpseo_title":"","_yoast_wpseo_metadesc":"","_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":"","_yoast_wpseo_focuskw_text_input":""},"categories":[519,6916,16],"tags":[],"yoast_head":"\n\u201c\u015e\u00f6valye, \u00d6l\u00fcm ve \u015eeytan\u201d Eserindeki Erdemli Kahraman - The Epoch Times TR<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/epochtimestr.com\/index.php\/sovalye-olum-ve-seytan-eserindeki-erdemli-kahraman\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201c\u015e\u00f6valye, \u00d6l\u00fcm ve \u015eeytan\u201d Eserindeki Erdemli Kahraman - The Epoch Times TR\" \/>\n<meta property=\"og:description\" content=\"En Derine Ula\u015fmak: Geleneksel sanat, kalbimize nas\u0131l bir yol g\u00f6steriyor? 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