{"id":149573,"date":"2024-01-26T21:35:39","date_gmt":"2024-01-26T18:35:39","guid":{"rendered":"https:\/\/epochtimestr.com\/?p=149573"},"modified":"2024-08-12T10:50:25","modified_gmt":"2024-08-12T07:50:25","slug":"budanin-sonsuz-lutfu-ntd-yarismasinda","status":"publish","type":"post","link":"https:\/\/epochtimestr.com\/index.php\/budanin-sonsuz-lutfu-ntd-yarismasinda","title":{"rendered":"\u2018Buda\u2019n\u0131n Sonsuz L\u00fctfu\u2019 NTD Yar\u0131\u015fmas\u0131nda"},"content":{"rendered":"\n

Kurtulu\u015f ve lanetlenme hik\u00e2yesini anlatan b\u00fcy\u00fck \u00f6l\u00e7ekli bir tablo \u00fc\u00e7lemesi, NTD Uluslararas\u0131 Fig\u00fcr Resim Yar\u0131\u015fmas\u0131\u2019nda sergilendi.<\/p>\n\n\n

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\u00dc\u00e7 ressam\u0131n i\u015fbirli\u011fi ile ger\u00e7ekle\u015fen \u201cBuda\u2019n\u0131n Sonsuz L\u00fctfu\u201d tablo \u00fc\u00e7lemesi, NIFPC yar\u0131\u015fmas\u0131 finalistleri aras\u0131nda sergileniyor. New York Salmagundi Club, 19 Ocak 2024 (Foto\u011fraf: Ruby Bui, The Epoch Times)<\/figcaption><\/figure><\/div>\n\n\n

Alt\u0131nc\u0131 NTD Uluslararas\u0131 Fig\u00fcr Resim Yar\u0131\u015fmas\u0131 (NTD International Figure Painting Competition – NIFPC) ge\u00e7ti\u011fimiz g\u00fcnlerde New York\u2019ta ger\u00e7ekle\u015ftirildi. Finalist sergisine girenler, en arkadaki duvar\u0131n cennet gibi bir \u0131\u015f\u0131kla kapland\u0131\u011f\u0131n\u0131 g\u00f6rd\u00fcler.<\/p>\n\n\n\n

\u201cBuda\u2019n\u0131n Sonsuz L\u00fctfu\u201d tablo \u00fc\u00e7lemesi, ayn\u0131 st\u00fcdyoda \u00e7al\u0131\u015fan \u00fc\u00e7 sanat\u00e7\u0131 taraf\u0131ndan \u00fcretildi. Neredeyse \u00fc\u00e7 metre y\u00fcksekli\u011findeki g\u00f6z al\u0131c\u0131 eser, New York City\u2019deki Salmagundi Club\u2019da 19 Ocak\u2019a kadar sergilendi.<\/p>\n\n\n\n

Shao-Han Tsai\u2019nin yar\u0131\u015fmaya sunaca\u011f\u0131 eser i\u00e7in c\u00fcretk\u00e2r bir fikri vard\u0131. Bu fikir, d\u00fczinelerce fig\u00fcrden olu\u015fan \u00fc\u00e7 panelli bir tabloyla sonu\u00e7land\u0131. Sanat\u00e7\u0131, eseri hakk\u0131nda \u201cHepimiz inan\u00e7l\u0131 insanlar\u0131z. Ben de g\u00fcnl\u00fck ya\u015fam\u0131n \u00f6tesinde bir \u015feyler tasvir etmek istedim\u201d diyor.<\/p>\n\n\n\n

G\u00fcn\u00fcm\u00fczde sanat\u00e7\u0131lar\u0131n bu tema ve \u00f6l\u00e7ekte bir eser \u00fcretmesi nadirdir. Ancak bu sanat\u00e7\u0131lar, sanatta \u201csaf g\u00fczelli\u011fi, saf nezaketi, saf \u00f6zg\u00fcnl\u00fc\u011f\u00fc\u201d yeniden canland\u0131rma misyonuna sahip bir etkinlik i\u00e7in, bu teman\u0131n uygun oldu\u011funu d\u00fc\u015f\u00fcnd\u00fcler.<\/p>\n\n\n\n

2007 y\u0131l\u0131nda ba\u015flayan NIFPC, geleneksel \u00c7in k\u00fclt\u00fcr\u00fcn\u00fc canland\u0131rmay\u0131 ama\u00e7layan bir dizi k\u00fclt\u00fcrel etkinli\u011fin bir par\u00e7as\u0131d\u0131r. The Epoch Times\u2019\u0131n karde\u015f medyas\u0131 olan NTD\u2019nin ad\u0131, eski \u00c7in uygarl\u0131\u011f\u0131n\u0131n alt\u0131n \u00e7a\u011f\u0131na g\u00f6nderme yapar ve \u201cYeni Tang Hanedanl\u0131\u011f\u0131\u201d anlam\u0131na gelir.<\/p>\n\n\n

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\u201cBuda\u2019n\u0131n Sonsuz L\u00fctfu\u201d \u00fc\u00e7l\u00fcs\u00fc, Salmagundi Club\u2019da d\u00fczenlenen NIFPC yar\u0131\u015fmas\u0131 finalistleri aras\u0131nda sergilendi. 15 Ocak 2024, New York City. (Foto\u011fraf: Larry Dye, The Epoch Times)<\/figcaption><\/figure><\/div>\n\n\n

Gen\u00e7 Sanat\u00e7\u0131lar<\/strong><\/p>\n\n\n\n

26 ya\u015f\u0131ndaki Tsai, tablo \u00fc\u00e7lemesinin sa\u011f panelinin ressam\u0131d\u0131r. \u00d6\u011fretmeni Yuan Li\u2019nin akl\u0131na, tamamlay\u0131c\u0131 bir par\u00e7a olarak Yarat\u0131c\u0131\u2019y\u0131 resmetme fikri geldi. Ard\u0131ndan, fikirler geli\u015ftik\u00e7e Tsai\u2019nin meslekta\u015f\u0131 Hung-Yu Chen de, soldaki \u00fc\u00e7\u00fcnc\u00fc par\u00e7ayla projeye d\u00e2hil oldu.<\/p>\n\n\n\n

Tsai, \u00e7al\u0131\u015fman\u0131n salg\u0131ndan \u00f6nce oldu\u011funu ve \u00fczerinden yakla\u015f\u0131k be\u015f y\u0131l ge\u00e7ti\u011fini s\u00f6yl\u00fcyor. 2019 yar\u0131\u015fmas\u0131na yeti\u015fecek \u015fekilde bitirilmesi planlam\u0131\u015ft\u0131. Ancak projenin tamamlanmas\u0131 yakla\u015f\u0131k iki y\u0131l s\u00fcrd\u00fc.<\/p>\n\n\n\n

Yuan Li, NIFPC\u2019nin a\u00e7\u0131l\u0131\u015f y\u0131l\u0131ndaki ilk alt\u0131n madalyan\u0131n sahibi olmu\u015ftu. Tsai ve \u015fu anda 25 ya\u015f\u0131nda olan Chen, ortaokulda Li\u2019nin g\u00f6zetiminde ayn\u0131 sanat dersini alm\u0131\u015flard\u0131. 14 ki\u015filik s\u0131n\u0131f arkada\u015flar\u0131 grubu, y\u00fcksek\u00f6\u011frenimde ayr\u0131 kariyer yollar\u0131 ve \u00e7al\u0131\u015fmalar s\u00fcrd\u00fcrmeye karar verdiler. Buna ra\u011fmen ayn\u0131 st\u00fcdyoda resim yapmak i\u00e7in y\u0131llar boyunca birlikte kald\u0131lar.<\/p>\n\n\n\n

Li, bu y\u0131l New York City\u2019deki yar\u0131\u015fma etkinliklerine kat\u0131lmad\u0131. Ancak Tsai ve Chen, \u015fehre ilk kez geldiler ve uluslararas\u0131 bir sanat yar\u0131\u015fmas\u0131na ilk kez kat\u0131ld\u0131lar. \u0130kili, ba\u015fkanl\u0131k se\u00e7imlerinde oy kulland\u0131ktan sonra Tayvan\u2019dan u\u00e7mu\u015f ve serginin a\u00e7\u0131l\u0131\u015f t\u00f6renine tam zaman\u0131nda ula\u015fm\u0131\u015flard\u0131.<\/p>\n\n\n

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Shao-Han Tsai, \u201cBuda\u2019n\u0131n Sonsuz L\u00fctfu\u201d \u00fc\u00e7lemesinin sa\u011f panelinin sanat\u00e7\u0131s\u0131. 15 Ocak 2024\u2019te New York\u2019taki Salmagundi Club\u2019da. (Foto\u011fraf: Larry Dye, The Epoch Times)<\/figcaption><\/figure><\/div>\n\n
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Hung-Yu Chen, \u201cBuda\u2019n\u0131n Sonsuz L\u00fctfu\u201d \u00fc\u00e7lemesinin sol panelinin sanat\u00e7\u0131s\u0131. 15 Ocak 2024\u2019te New York\u2019taki Salmagundi Club\u2019da. (Foto\u011fraf: Larry Dye, The Epoch Times)<\/figcaption><\/figure><\/div>\n\n\n

\u0130lham<\/strong><\/p>\n\n\n\n

Tsai, \u201cBu \u00e7al\u0131\u015fmay\u0131 olu\u015ftururken ne anlatmak istedi\u011fimi \u00e7ok d\u00fc\u015f\u00fcnd\u00fcm. Ge\u00e7mi\u015fte, antik Yunandan aziz hik\u00e2yelerine kadar pek \u00e7ok sanat eserinde tanr\u0131lar ve cennet tasvir edilmi\u015ftir\u201d dedi. \u201cBiz de bunun 21. y\u00fczy\u0131la nas\u0131l uygulanabilece\u011fini d\u00fc\u015f\u00fcnd\u00fck.\u201d<\/p>\n\n\n\n

Tsai derin, anlaml\u0131 ve kendi inanc\u0131n\u0131 yans\u0131tan bir eser yaratmak istedi. Bu y\u00fczden evrensel bir kavramda karar k\u0131ld\u0131.<\/p>\n\n\n\n

\u201cHem Do\u011funun hem de Bat\u0131n\u0131n k\u00fclt\u00fcrleri ve halklar\u0131, bir Yarat\u0131c\u0131 hakk\u0131nda hik\u00e2yeler payla\u015f\u0131yor\u201d diye ekledi.<\/p>\n\n\n\n

Tsai \u201cBu hepimizin duydu\u011fu bir hikaye\u201d dedi. Pek \u00e7ok Barok \u015fapel ve saray tavan\u0131nda bulunan bir\u00e7ok cennet sahnesinden, Rubens gibi sanat\u00e7\u0131lardan ve elbette Michelangelo\u2019nun \u2018Son Yarg\u0131\u2019 sahnelerinden ilham alm\u0131\u015ft\u0131.<\/p>\n\n\n\n

Sa\u011fdaki panelde Chen, do\u011fru ve sad\u0131k olanlar\u0131n cennete y\u00fckselece\u011fine dair as\u0131rl\u0131k inanc\u0131 tasvir etti.<\/p>\n\n\n\n

Chen, Falun Gong olarak da bilinen Falun Dafa\u2019y\u0131 uyguluyor ve resminde bu isim ve kelimelere yer verdi. Falun Dafa, do\u011fruluk, merhamet ve ho\u015fg\u00f6r\u00fc ilkelerini \u00f6\u011freten manevi bir disiplindir.<\/p>\n\n\n\n

\u201cGer\u00e7ekten, Bat\u0131 sanat\u0131ndaki bir\u00e7ok tavan freskinde bulabilece\u011finiz ilahi sahnelerden ilham ald\u0131m\u201d dedi. \u201cUmar\u0131m eseri izleyenler bu eserde, k\u00f6t\u00fcl\u00fc\u011fe kar\u015f\u0131 gelen iyiyi hissedebilir ve anlayabilirler.\u201d<\/p>\n\n\n\n

Resmin \u00fcst k\u0131sm\u0131nda cennetteki varl\u0131klar ve cennete giren insanlar resmediliyor. Alt k\u0131s\u0131mda ise yeni inanca ula\u015fan ancak hayatlar\u0131 boyunca bu f\u0131rsat\u0131 ka\u00e7\u0131rd\u0131klar\u0131 i\u00e7in pi\u015fmanl\u0131k duyan insanlar g\u00f6r\u00fcl\u00fcyor.<\/p>\n\n\n\n

Ayr\u0131ca Tsai de bir Falun Dafa uygulay\u0131c\u0131s\u0131d\u0131r. Chen gibi o da herkesin uygulay\u0131c\u0131 oldu\u011fu bir ailede b\u00fcy\u00fcd\u00fc. Ancak ortaokula kadar kendi ya\u015fam yolunu d\u00fc\u015f\u00fcn\u00fcp se\u00e7medi\u011fini s\u00f6yl\u00fcyor. \u0130\u015fte o zaman sanat\u0131n pe\u015finde ko\u015fmay\u0131 se\u00e7ti. Ayn\u0131 zamanda sanat yaratmak i\u00e7in zengin bir manevi ya\u015fam\u0131n gerekli oldu\u011funu fark etti.<\/p>\n\n\n\n

\u00c7incede bu t\u00fcr manevi uygulamalara ki\u015finin karakterinin veya kalbinin \u201cyeti\u015ftirilmesi\u201d ad\u0131 verilir. Tsai, yeti\u015ftirme ve sanat\u0131n hemen hemen ayn\u0131 oldu\u011funu s\u00f6yledi. \u201cBa\u015fkalar\u0131na ilham verebilecek bir \u015fey yaratmak i\u00e7in ki\u015finin kendi \u00fczerinde \u00e7al\u0131\u015fmas\u0131 gerekir.\u201d<\/p>\n\n\n\n

\u2018Yarat\u0131m\u2019 Diyebilece\u011fimiz Bir Eser<\/strong><\/p>\n\n\n\n

Elbette se\u00e7ti\u011fi yolun kolay olmad\u0131\u011f\u0131 bir\u00e7ok kez kendisine s\u00f6ylendi. \u00d6rne\u011fin eserin yap\u0131m\u0131 s\u0131ras\u0131nda baz\u0131 haftalar boyunca, hi\u00e7bir ilerleme kaydetmedi\u011fini hissetti. Bu d\u00f6nemlerde, d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcnden daha fazlas\u0131n\u0131 yapabilip yapamayaca\u011f\u0131n\u0131 merak ediyordu. Ne Tsai ne de Chen daha \u00f6nce bu kadar b\u00fcy\u00fck bir resim yapm\u0131\u015ft\u0131. \u00dcstelik canl\u0131 modellerden tasvir edilen, bu kadar \u00e7ok fig\u00fcrl\u00fc bir kompozisyon \u00fczerinde \u00e7al\u0131\u015fmam\u0131\u015flard\u0131.<\/p>\n\n\n\n

Ayr\u0131ca \u00e7al\u0131\u015fmalar\u0131 s\u0131ras\u0131nda, daha \u00f6nce hi\u00e7 kar\u015f\u0131la\u015fmad\u0131klar\u0131 zorluklarla da kar\u015f\u0131la\u015ft\u0131lar. \u00d6rne\u011fin g\u00f6ksel \u0131\u015f\u0131\u011f\u0131n nas\u0131l tasvir edilece\u011fi, \u00f6nemli bir problem oldu. Bu kesinlikle foto\u011fraf ya da resim halinde, benzer bir referans bulunabilecek bir \u015fey de\u011fildi. Sanat\u00e7\u0131lar\u0131n her biri 25 ila 30 taslak haz\u0131rlad\u0131. Ayr\u0131ca Chen, malzemeleriyle ilgili bir aksilikten sonra, t\u00fcm eserini yeniden boyamak zorunda kald\u0131. Li, s\u00fcrecin bir b\u00f6l\u00fcm\u00fcnde eserinin t\u00fcm arka plan\u0131n\u0131 yeniden yapt\u0131. Ancak inan\u00e7lar\u0131n\u0131 d\u00fcnyayla payla\u015fma ve vizyonuna \u015fekil verme f\u0131rsat\u0131, insan\u0131n kar\u015f\u0131s\u0131na her g\u00fcn \u00e7\u0131km\u0131yor. Bu y\u00fczden bu f\u0131rsat\u0131 d\u00fc\u015f\u00fcnmek, g\u00f6ksel sahneyi tuval \u00fczerinde tamamlama kararl\u0131l\u0131\u011f\u0131n\u0131 tazeledi.<\/p>\n\n\n\n

Tsai, \u201cDaha \u00f6nceki \u00e7al\u0131\u015fmalar\u0131m, daha \u00e7ok \u00f6\u011frenci \u00e7al\u0131\u015fmalar\u0131yd\u0131. Eksiksiz bir \u00e7al\u0131\u015fman\u0131n tasar\u0131m ve yarat\u0131c\u0131 vizyonundan yoksundu. \u2026 \u0130lk defa ger\u00e7ekten \u2018yarat\u0131m\u2019 diyebilece\u011fim bir eser ortaya \u00e7\u0131karma f\u0131rsat\u0131 buldum\u201d \u015feklinde konu\u015ftu.<\/p>\n\n\n\n

\u201cG\u00fcn\u00fcm\u00fczde pek \u00e7ok g\u00f6rsel sanat (film, animasyon) ger\u00e7ekten heyecan verici g\u00fczellikte sergileniyor. Yapmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131m tek \u015fey izleyicileri g\u00f6rsel olarak uyarmak olsa, cennet sahneleri zaten yap\u0131ld\u0131. G\u00f6rsel etki konusunda di\u011ferleriyle ger\u00e7ekten rekabet edemezsiniz. Bu y\u00fczden anlaml\u0131 bir eser payla\u015fmak, anlaml\u0131 bir duyguyu iletmek benim i\u00e7in \u00f6nemliydi\u201d dedi.<\/p>\n\n\n\n

\u201cUmar\u0131m bu \u00e7al\u0131\u015fma, izleyicinin dikkatini g\u00fcnl\u00fck ya\u015famdan al\u0131p, inan\u00e7, hayat, hayat\u0131n anlam\u0131 ve ya\u015famda neyi se\u00e7ti\u011fimiz gibi daha derin sorulara \u00e7evirmesine yard\u0131mc\u0131 olur.\u201d<\/p>\n\n\n\n

En sa\u011fdaki Tsai\u2019nin panelinde, Chen\u2019in eserinin tam tersi g\u00f6steriliyor. Varl\u0131klar cennete do\u011fru y\u00fckselmek yerine, insan d\u00fcnyas\u0131na ve a\u015fa\u011f\u0131ya d\u00fc\u015fmekteler.<\/p>\n\n\n\n

Tsai, resmin \u00fcst k\u0131sm\u0131ndaki b\u00fcy\u00fck, dairesel sembol\u00fcn \u201cFalun\u201d oldu\u011funu s\u00f6yledi. Falun\u2019un Falun Dafa\u2019daki anlam\u0131n\u0131n, evrenin g\u00f6rsel bir sembol\u00fc oldu\u011funu a\u00e7\u0131klad\u0131.<\/p>\n\n\n\n

Yap\u0131t<\/strong><\/p>\n\n\n\n

Evren a\u015famalardan ve d\u00f6ng\u00fclerden ge\u00e7er. \u201cY\u0131k\u0131m\u201d evresinde ya da bir\u00e7ok k\u00fclt\u00fcr\u00fcn \u201cson d\u00f6nem\u201d olarak adland\u0131rd\u0131\u011f\u0131 evrede, kozmos karga\u015fa i\u00e7indedir. Bozulmu\u015f olan g\u00f6ksel varl\u0131klar a\u015fa\u011f\u0131ya d\u00fc\u015fm\u00fc\u015ft\u00fcr. Resmin alt k\u0131sm\u0131nda, insan \u00e2lemine yak\u0131n bir yerde, kom\u00fcnizmi temsil eden yanan bir \u00e7eki\u00e7 ve orak sembol\u00fc g\u00f6r\u00fclebilir. Tsai, kom\u00fcnizmin temelinde Tanr\u0131 kar\u015f\u0131t\u0131 bir ideoloji oldu\u011funu a\u00e7\u0131klad\u0131. Bu nedenle zaman\u0131n sonunda insanl\u0131\u011f\u0131 yok eden \u015feyi temsil etmesinin uygun oldu\u011funu d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcn\u00fc s\u00f6yledi.<\/p>\n\n\n\n

Ancak evren burada, bu y\u0131k\u0131mla sona ermez. Yarat\u0131c\u0131\u2019n\u0131n ortaya \u00e7\u0131k\u0131\u015f\u0131, yenilenme ve yeniden do\u011fmay\u0131 m\u00fcjdeler.<\/p>\n\n\n\n

Hem Chen\u2019in hem de Tsai\u2019nin resimlerinde Yarat\u0131c\u0131\u2019n\u0131n varl\u0131\u011f\u0131na i\u015faret eden tek \u015fey, \u00e7ok yukar\u0131daki parlak \u0131\u015f\u0131kt\u0131r. Ortadaki en b\u00fcy\u00fck tabloda Li, k\u0131yamet sonras\u0131 d\u00f6nemde sonsuz l\u00fctfunu g\u00f6steren Yarat\u0131c\u0131 g\u00f6r\u00fcnt\u00fcs\u00fcn\u00fc tasvir etmi\u015ftir.<\/p>\n\n\n\n

\u201c\u00c7ok geni\u015f kapsaml\u0131 \u015fefkat, t\u00fcm evrende parlar ve kurtulu\u015f getirir. Bir\u00e7ok toplum, Tanr\u0131\u2019n\u0131n ve Buda\u2019n\u0131n yery\u00fcz\u00fcne inece\u011fi ve yarat\u0131c\u0131n\u0131n insanlar\u0131 kurtaraca\u011f\u0131 inanc\u0131n\u0131 nesilden nesile aktarm\u0131\u015ft\u0131r. Bu ayn\u0131 zamanda, sek\u00fcler seviyeyi a\u015fan iyi ve k\u00f6t\u00fc aras\u0131ndaki nihai sava\u015fla da ilgilidir.\u201d<\/p>\n\n\n\n

Bir\u00e7o\u011fumuz 19 Ocak\u2019ta sona eren New York\u2019taki sergiye gidemedik. Ancak NIFPC g\u00f6rselleri internet \u00fczerinden eri\u015fime a\u00e7t\u0131:<\/p>\n\n\n

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Hung-Yu Chen\u2019in \u201cBuda\u2019n\u0131n Sonsuz L\u00fctfu (Soldaki panel)\u201d adl\u0131 eseri. (NTD Uluslararas\u0131 Resim Yar\u0131\u015fmas\u0131)<\/figcaption><\/figure><\/div>\n\n
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Yuan Li\u2019nin \u201cBuda\u2019n\u0131n Sonsuz L\u00fctfu (Merkez panel)\u201d adl\u0131 eseri. (NTD Uluslararas\u0131 Resim Yar\u0131\u015fmas\u0131)<\/figcaption><\/figure><\/div>\n\n
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Shao-Han Tsai\u2019nin \u201cBuda\u2019n\u0131n Sonsuz L\u00fctfu (Sa\u011fdaki panel)\u201d adl\u0131 eseri. (NTD Uluslararas\u0131 Resim Yar\u0131\u015fmas\u0131)<\/figcaption><\/figure><\/div>\n\n\n

Yazan: Catherine Yang, The Epoch Times
\u00c7eviren: \u015eenda\u011f G\u00f6k\u00e7e, The Epoch Times, T\u00fcrkiye<\/p>\n","protected":false},"excerpt":{"rendered":"

Kurtulu\u015f ve lanetlenme hik\u00e2yesini anlatan b\u00fcy\u00fck \u00f6l\u00e7ekli bir tablo \u00fc\u00e7lemesi, NTD Uluslararas\u0131 Fig\u00fcr Resim Yar\u0131\u015fmas\u0131\u2019nda sergilendi. Alt\u0131nc\u0131 NTD Uluslararas\u0131 Fig\u00fcr Resim Yar\u0131\u015fmas\u0131 (NTD International Figure Painting Competition – NIFPC) ge\u00e7ti\u011fimiz g\u00fcnlerde New York\u2019ta ger\u00e7ekle\u015ftirildi. Finalist sergisine girenler, en arkadaki duvar\u0131n cennet gibi bir \u0131\u015f\u0131kla kapland\u0131\u011f\u0131n\u0131 g\u00f6rd\u00fcler. \u201cBuda\u2019n\u0131n Sonsuz L\u00fctfu\u201d tablo \u00fc\u00e7lemesi, ayn\u0131 st\u00fcdyoda \u00e7al\u0131\u015fan \u00fc\u00e7 […]<\/p>\n","protected":false},"author":13978,"featured_media":149576,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"Falun Gong","_yoast_wpseo_title":"","_yoast_wpseo_metadesc":"","_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":"","_yoast_wpseo_focuskw_text_input":""},"categories":[8206,6915],"tags":[8346,262,261],"yoast_head":"\n\u2018Buda\u2019n\u0131n Sonsuz L\u00fctfu\u2019 NTD Yar\u0131\u015fmas\u0131nda - The Epoch Times TR<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/epochtimestr.com\/index.php\/budanin-sonsuz-lutfu-ntd-yarismasinda\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Buda\u2019n\u0131n Sonsuz L\u00fctfu\u2019 NTD Yar\u0131\u015fmas\u0131nda - The Epoch Times TR\" \/>\n<meta property=\"og:description\" content=\"Kurtulu\u015f ve lanetlenme hik\u00e2yesini anlatan b\u00fcy\u00fck \u00f6l\u00e7ekli bir tablo \u00fc\u00e7lemesi, NTD Uluslararas\u0131 Fig\u00fcr Resim Yar\u0131\u015fmas\u0131\u2019nda sergilendi. 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