{"id":162766,"date":"2025-10-10T10:31:27","date_gmt":"2025-10-10T07:31:27","guid":{"rendered":"https:\/\/epochtimestr.com\/?p=162766"},"modified":"2025-10-10T13:38:45","modified_gmt":"2025-10-10T10:38:45","slug":"seytani-gordum","status":"publish","type":"post","link":"https:\/\/epochtimestr.com\/index.php\/seytani-gordum","title":{"rendered":"\u015eeytan\u0131 G\u00f6rd\u00fcm"},"content":{"rendered":"\n

Do\u011frusunu s\u00f6ylemek gerekirse, James Baldwin\u2019i ge\u00e7 tan\u0131d\u0131\u011f\u0131m i\u00e7in \u00fczg\u00fcn\u00fcm. Her zaman s\u00f6yledi\u011fim bir s\u00f6z\u00fc tekrar etmek isterim: biz Atlantik\u2019e uzak oldu\u011fumuz i\u00e7in, Amerikan tarihini ve edebiyat\u0131n\u0131 genel olarak g\u00f6rmezden geliriz. Belki de Baldwin\u2019in \u00a0\u201cAmerika bir masald\u0131r, ama masal\u0131n kanla yaz\u0131ld\u0131\u011f\u0131n\u0131 unutmamak gerekir.\u201d<\/em> yarg\u0131s\u0131yla onun hegemonyas\u0131na tav\u0131r alm\u0131\u015f olmam\u0131zdand\u0131r. Hatta biraz geriye gidip belle\u011fimizde, A\u015f\u0131k Mahsuni \u015eerif\u2019in K\u0131br\u0131s sava\u015f\u0131 y\u0131llar\u0131nda s\u00f6yledi\u011fi “Amerika katil, katil” hayk\u0131rmas\u0131n\u0131n yer edinmesinden de olabilir.<\/p>\n\n\n\n

James Baldwin\u2019i yak\u0131n bir zamanda izledi\u011fim 2016 yap\u0131m\u0131 \u201cI Am Not Your Negro\u201d<\/em> belgeseliyle tan\u0131d\u0131m. Belgesel asl\u0131nda Baldwin\u2019in tamamlanmam\u0131\u015f bir projesidir ve y\u00f6netmeni Raoul Peck\u2019tir. Filmin m\u00fckemmel metinleri Samule L.Jackson taraf\u0131ndan yaz\u0131lm\u0131\u015f. Belgesel, Baldwin\u2019in Remember This House<\/em> adl\u0131 tamamlanmam\u0131\u015f kitab\u0131 \u00fczerine kuruludur.\u00a0 Bu kitap tasla\u011f\u0131, Baldwin\u2019in yak\u0131n dostlar\u0131 ve sivil haklar liderleri olan Medgar Evers, Malcolm X ve Martin Luther King Jr. \u00fczerine d\u00fc\u015f\u00fcnceleri ve bu \u00fc\u00e7 liderin hayatlar\u0131n\u0131n ve cinayetlerinin Amerika\u2019daki \u0131rk\u00e7\u0131l\u0131k s\u00fcrecine \u0131\u015f\u0131k tutabilecek y\u00f6nleri \u00fczerine yorumlar\u0131n\u0131 i\u00e7erir. Amerikan\u2019\u0131n \u0131rk\u00e7\u0131l\u0131k tarihi \u00fczerine \u00e7ekilmi\u015f de\u011ferli bir belgesel.<\/p>\n\n\n\n

\u00dcvey babas\u0131n\u0131n kat\u0131 bir Katolik olmas\u0131 onun sosyal ve k\u00fclt\u00fcrel geli\u015fimini etkilemi\u015f. Siyah\u00ee olan Baldwin, erken ya\u015flarda beyazlar taraf\u0131ndan ailesine uygulanan \u0131rk\u00e7\u0131 bask\u0131lardan uzakla\u015fmak i\u00e7in 1948 y\u0131l\u0131nda Paris\u2019e gider. Orada, hem siyah hem e\u015fcinsel bir yazar olarak kimli\u011fini \u00f6zg\u00fcrce ifade etme imk\u00e2n\u0131 bulur.<\/p>\n\n\n\n

\u201cI Am Not Your Negro\u201d belgeselinden esinlenerek, Baldwin yap\u0131tlar\u0131n\u0131 yak\u0131ndan inceleme f\u0131rsat\u0131 buldum. \u00d6zellikle, Amerikan sinemas\u0131nda siyahlar\u0131n temsil edilme bi\u00e7imlerinin gizlendi\u011fi \u00f6nyarg\u0131, korku ve fantezileri keskin bir ele\u015ftirellikle ele alan \u015eeytan\u0131 G\u00f6rd\u00fcm<\/em> eseri Amerikan \u0131rk\u00e7\u0131l\u0131\u011f\u0131n\u0131n adeta tarihini okuyucuya bir belgesel format\u0131ndan sunmu\u015f. <\/p>\n\n\n\n

Baldwin\u2019in eserleri genellikle \u015fu temalar etraf\u0131nda d\u00f6ner: Irk\u00e7\u0131l\u0131k ve beyaz \u00fcst\u00fcnl\u00fc\u011f\u00fc, Amerikan kimli\u011fi, cinsellik ve aidiyet, din ve ahlak, aile i\u00e7i bask\u0131 ve toplumsal d\u0131\u015flanma. O, derin bir entelekt\u00fcel ve politik bilincin yan\u0131nda ayn\u0131 zamanda insani bir duyarl\u0131l\u0131\u011fa da sahip. Baldwin s\u0131k s\u0131k babas\u0131n\u0131n beyazlardan etkilenip annesine ve kendisine bask\u0131 yapt\u0131\u011f\u0131n\u0131 ve annesine hep ‘\u00e7irkin kad\u0131n’ dedi\u011fini aktar\u0131r. Babas\u0131n\u0131n a\u015fk\u0131n otoriter ki\u015fili\u011fi Baldwin\u2019in sonraki geli\u015fiminde hep bir nevrotik vaka olarak kal\u0131r. <\/p>\n\n\n\n

Baldwin\u2019in \u015eeytan\u0131 G\u00f6rd\u00fcm<\/em> eserindeki \u015fu an\u0131s\u0131 olduk\u00e7a dramatik bir itiraft\u0131r:
“Beni \u00e7irkin bulan yaln\u0131z babam de\u011fildi. Herkes benim garip oldu\u011fumu d\u00fc\u015f\u00fcn\u00fcyordu. Zavall\u0131 annem de buna d\u00e2hil. Bir tek o beni bunun i\u00e7in d\u00f6vmeye kalk\u0131\u015fm\u0131yordu. Madem gariptim – ki garip olmal\u0131yd\u0131m, yoksa insanlar bana bu kadar garip davranmazlard\u0131 ve ben kendimi bu kadar k\u00f6t\u00fc hissetmezdim – belki bu gariplikten faydalanman\u0131n bir yolunu bulabilirdim. Garip bir \u00e7ocuk i\u00e7ten i\u00e7e ve biraz da korkarak bilir ki garipli\u011fi y\u0131llar i\u00e7inde azalmayacakt\u0131r. O y\u00fczden e\u011fer ya\u015famak istiyorsa hesab\u0131n\u0131 do\u011fru yapmal\u0131d\u0131r. Ve ben ya\u015famam gerekti\u011fini biliyordum. Annemin mutlu olmas\u0131n\u0131 ve benimle gurur duymas\u0131n\u0131 \u00e7ok istiyordum. Karde\u015flerimi de \u00e7ok seviyordum. Bir bak\u0131ma neyim varsa onlardan ibaretti.<\/em>“
(B. James, \u015eeytan\u0131 G\u00f6rd\u00fcm, YKY, s:27)<\/p>\n\n\n\n

Baldwin, b\u00fct\u00fcn eserlerinde \u0131rk kavram\u0131na dair ele\u015ftirisini merkeze koyar. Irk\u00e7\u0131l\u0131k yaln\u0131zca bireysel eylemlerde de\u011fil, Amerikan kimli\u011finin in\u015fas\u0131nda, beyazl\u0131\u011f\u0131n \u201cnorm\u201d olarak kurulmas\u0131nda yatar. Baldwin, \u0131rk\u00e7\u0131l\u0131\u011f\u0131 bir ki\u015fisel ahl\u00e2k sorunu olarak g\u00f6r\u00fcr. Ona g\u00f6re sorun sadece sistemde de\u011fil, bireyin kendini tan\u0131may\u0131 reddedi\u015finde yatar. \u015e\u00f6yle der: \u201cE\u011fer kim oldu\u011fumu kabul etmezsen, seni kim oldu\u011funla y\u00fczle\u015fmeye zorlar\u0131m.\u201d<\/em><\/p>\n\n\n\n

Bu s\u00f6z, Baldwin\u2019in etik konumunu \u00f6zetler: Ger\u00e7ek \u00f6zg\u00fcrl\u00fck, hem bireysel hem toplumsal bir kendilik fark\u0131ndal\u0131\u011f\u0131 gerektirir.<\/p>\n\n\n\n

Baldwin’in kendisinin yazd\u0131\u011f\u0131 bir piyesi ilk defa sahneye koyan beyaz \u00f6\u011fretmeni Bille Miller hakk\u0131nda s\u00f6yledikleri Amerikan toplumundaki siyahilerin “varolu\u015fsal” trajedisini g\u00f6z \u00f6n\u00fcne serer:
“On on bir ya\u015flar\u0131ndayd\u0131m. Yazd\u0131\u011f\u0131m ilk piyesi sahneye koyan oydu. \u0130lk teatral huysuzluklar\u0131ma katlanm\u0131\u015ft\u0131 ve nihayet d\u00fcnyay\u0131 tan\u0131ma yolculu\u011funda bana e\u015flik etmi\u015fti. Bana okumam i\u00e7in kitaplar verir, kitaplar hakk\u0131nda ve d\u00fcnyada olup bitenler hakk\u0131nda benimle sohbet ederdi. \u0130spanya’dan \u00f6rne\u011fin ve Etiyopya’dan, \u0130talya’dan, Alman 3. Reich’den bahsederdik. Filmlere ve tiyatroya giderdik. O ya\u015ftaki bir \u00e7ocu\u011fu ba\u015fka kimsenin g\u00f6t\u00fcrmeyece\u011fi, akl\u0131na getirmeyece\u011fi filmleri ve oyunlar\u0131 izlemeye. <\/em><\/p>\n\n\n\n

Onu seviyordum tabii. Kati bir \u015fekilde seviyordum hem, bir \u00e7ocu\u011fun sevebilece\u011fi gibi. S\u00f6ylediklerinin yar\u0131s\u0131n\u0131 anlam\u0131yordum ama akl\u0131mda tutuyordum. Ve anlatt\u0131\u011f\u0131 her \u015feyin faydas\u0131n\u0131 sonradan g\u00f6rd\u00fcm. Biraz da o benim korkun\u00e7 hayat\u0131ma o kadar erken girdi\u011fi i\u00e7in olsa gerek, beyazlardan bir s\u00fcre nefret etmeyi ba\u015faramad\u0131m hi\u00e7. Ger\u00e7i Tanr\u0131 biliyor ya, bir – ikisini ya da daha fazlas\u0131n\u0131 \u00f6ld\u00fcrsem diye d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm \u00e7ok oldu. Fakat Bill Miller benim g\u00f6z\u00fcmde hi\u00e7bir zaman Jean Crawford’un beyaz olu\u015fu gibi ya da ev sahiplerinin d\u00fckkanc\u0131lar\u0131n ya da polislerin veya \u00e7o\u011fu beyaz olan di\u011fer \u00f6\u011fretmenlerimin beyaz olu\u015fu gibi beyaz de\u011fildi. Onlar gibi akl\u0131m\u0131 kar\u0131\u015ft\u0131rmaz, beni hi\u00e7 korkutmaz ve bana hi\u00e7 yalan s\u00f6ylemezdi. Bana ac\u0131d\u0131\u011f\u0131n\u0131 hi\u00e7 hissetmedim. \u00dcstelik bazen bize eski giysilerini ve bal\u0131k ya\u011f\u0131 getirirdi. \u00d6zellikle benim i\u00e7in suyun bo\u011fulmaca \u00f6ks\u00fcr\u00fc\u011f\u00fcnden gelecek gibiydi o zamanlar.”<\/em><\/p>\n\n\n\n

Asl\u0131nda Baldwin\u2019in\u00a0Amerika i\u00e7in temel sorusu \u015fudur: \u201cAmerika\u2019da siyah bir insan kim olabilir?\u201d Bu yaln\u0131zca etnik bir soru de\u011fildir; ontolojik bir sorudur. Baldwin, insan\u0131n toplumsal bir aynada kendi varl\u0131\u011f\u0131n\u0131 arad\u0131\u011f\u0131n\u0131 s\u00f6yler. Ama bu ayna, Amerika gibi \u0131rk\u00e7\u0131 bir toplumda \u00e7arp\u0131t\u0131lm\u0131\u015ft\u0131r. Bu y\u00fczden onun g\u00f6z\u00fcnde kimlik, do\u011fu\u015ftan verilmi\u015f de\u011fil, ac\u0131yla ve direni\u015fle elde edilmi\u015ftir. Amerika ayn\u0131 zamanda direnen halklar\u0131n laboratuvar\u0131d\u0131r. Bu durumda Baldwin, varolu\u015f\u00e7u d\u00fc\u015f\u00fcnceye yakla\u015f\u0131r. Sartre ve Camus gibi o da, insan\u0131n \u00f6z\u00fcn\u00fc toplumsal rollerden de\u011fil, eylemlerinden ve fark\u0131ndal\u0131\u011f\u0131ndan \u00e7\u0131kar\u0131r. Ama Baldwin\u2019de bu fark\u0131ndal\u0131k, sadece bireysel de\u011fil, \u0131rk, tarih ve toplumsal haf\u0131za taraf\u0131ndan da \u015fekillenir.<\/p>\n","protected":false},"excerpt":{"rendered":"

Do\u011frusunu s\u00f6ylemek gerekirse, James Baldwin\u2019i ge\u00e7 tan\u0131d\u0131\u011f\u0131m i\u00e7in \u00fczg\u00fcn\u00fcm. Her zaman s\u00f6yledi\u011fim bir s\u00f6z\u00fc tekrar etmek isterim: biz Atlantik\u2019e uzak oldu\u011fumuz i\u00e7in, Amerikan tarihini ve edebiyat\u0131n\u0131 genel olarak g\u00f6rmezden geliriz. Belki de Baldwin\u2019in \u00a0\u201cAmerika bir masald\u0131r, ama masal\u0131n kanla yaz\u0131ld\u0131\u011f\u0131n\u0131 unutmamak gerekir.\u201d yarg\u0131s\u0131yla onun hegemonyas\u0131na tav\u0131r alm\u0131\u015f olmam\u0131zdand\u0131r. Hatta biraz geriye gidip belle\u011fimizde, A\u015f\u0131k Mahsuni […]<\/p>\n","protected":false},"author":14004,"featured_media":162770,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"James Baldwin","_yoast_wpseo_title":"","_yoast_wpseo_metadesc":"\u201cI Am Not Your Negro\u201d belgeselinden esinlenerek, James Baldwin yap\u0131tlar\u0131n\u0131 yak\u0131ndan inceleme f\u0131rsat\u0131 buldum","_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":"","_yoast_wpseo_focuskw_text_input":""},"categories":[9659],"tags":[],"yoast_head":"\n\u015eeytan\u0131 G\u00f6rd\u00fcm - The Epoch Times TR<\/title>\n<meta name=\"description\" content=\"\u201cI Am Not Your Negro\u201d belgeselinden esinlenerek, James Baldwin yap\u0131tlar\u0131n\u0131 yak\u0131ndan inceleme f\u0131rsat\u0131 buldum\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/epochtimestr.com\/index.php\/seytani-gordum\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u015eeytan\u0131 G\u00f6rd\u00fcm - 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