{"id":171852,"date":"2026-09-12T08:27:00","date_gmt":"2026-09-12T05:27:00","guid":{"rendered":"https:\/\/epochtimestr.com\/?p=171852"},"modified":"2026-09-12T07:49:06","modified_gmt":"2026-09-12T04:49:06","slug":"kayalarin-icindeki-tebessum-nigde-gumusler-manastiri","status":"publish","type":"post","link":"https:\/\/epochtimestr.com\/index.php\/kayalarin-icindeki-tebessum-nigde-gumusler-manastiri","title":{"rendered":"Kayalar\u0131n \u0130\u00e7indeki Tebess\u00fcm: Ni\u011fde G\u00fcm\u00fc\u015fler Manast\u0131r\u0131"},"content":{"rendered":"\n

Baz\u0131 tarih\u00ee yap\u0131lar vard\u0131r, daha kap\u0131s\u0131ndan girerken insan\u0131 y\u00fczy\u0131llar \u00f6ncesine g\u00f6t\u00fcr\u00fcr. Baz\u0131lar\u0131 ise yaln\u0131zca ge\u00e7mi\u015fi de\u011fil, i\u00e7inde saklad\u0131\u011f\u0131 k\u00fc\u00e7\u00fck bir ayr\u0131nt\u0131yla insan\u0131n haf\u0131zas\u0131nda bamba\u015fka bir yer edinir. Ni\u011fde\u2019nin G\u00fcm\u00fc\u015fler beldesinde, b\u00fcy\u00fck bir kaya k\u00fctlesinin i\u00e7ine oyularak meydana getirilen G\u00fcm\u00fc\u015fler Manast\u0131r\u0131<\/strong> da i\u015fte b\u00f6yle bir yer. Bir den fazla kez ziyaret ettim. Her ziyaretim sanki ilk gibi cazip, gizemli gelir ve beni g\u00fcl\u00fcmsetir\u2026<\/p>\n\n\n

\n
\"G\u00fcm\u00fc\u015fler
G\u00fcm\u00fc\u015fler Manast\u0131r\u0131 (Foto\u011fraf: Aysel \u00d6zcan Yeti\u015f)<\/figcaption><\/figure><\/div>\n\n\n

Ni\u011fde \u015fehir merkezinden yakla\u015f\u0131k 8 kilometre<\/strong> uzakl\u0131kta bulunan manast\u0131r, G\u00fcm\u00fc\u015fler beldesinde yer al\u0131yor. T.C. K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 taraf\u0131ndan \u201cBizans sanat\u0131n\u0131n Anadolu\u2019daki en g\u00fczel ve en iyi korunmu\u015f eserlerinden biri\u201d olarak tan\u0131mlanan yap\u0131, 1973 y\u0131l\u0131nda arkeolojik sit alan\u0131 ilan edilmi\u015f. Kaya k\u00fctlesinin do\u011fu ve g\u00fcney y\u00fczleri boyunca uzanan yakla\u015f\u0131k 1,5 kilometrelik kayaya oyma yerle\u015fim, buran\u0131n yaln\u0131zca k\u00fc\u00e7\u00fck bir kiliseden ibaret olmad\u0131\u011f\u0131n\u0131 hemen hissettiriyor.<\/p>\n\n\n\n

Ni\u011fde\u2019de halk aras\u0131nda konu\u015fulan ise: \u201c\u2026.Tyanal\u0131 Apollon Hz \u0130sa\u2019d\u0131r. Kud\u00fcs\u2019\u00fcn \u00e7ok yak\u0131n\u0131nda Beyt Lahim k\u00f6y\u00fcnde babas\u0131z olarak do\u011fduktan sonra, annesi Meryem\u2019in kuca\u011f\u0131nda Kud\u00fcs\u2019te ba\u015flayan yolculuk, Antakya ve Tarsus \u00fczerinden Ni\u011fde\u2019nin Kemerhisar (Tyana) \u015fehrine kadar s\u00fcrm\u00fc\u015ft\u00fcr. Burada kalmaya karar verdikleri zaman Bebek \u0130sa, art\u0131k bir \u00e7ocuktur. Annesi Meryem ise Kud\u00fcs\u2019teki dedikodulardan ve fitneden uzakla\u015fm\u0131\u015f, mutlu ve huzurlu bir ortama kavu\u015fmu\u015ftur. Bu nedenle Meryem\u2019in Ni\u011fde\u2019deki resmi mutlu ve g\u00fcler y\u00fczl\u00fc bir ana olarak \u00e7izilmi\u015ftir. Oysa b\u00fct\u00fcn kiliselerde Kud\u00fcs\u2019teki Meryem hep g\u00f6z\u00fc ya\u015fl\u0131, kuca\u011f\u0131nda bebe\u011fi olan bir ana olarak resmedilmi\u015ftir.<\/p>\n\n\n\n

Ayr\u0131ca Aksaray ili s\u0131n\u0131rlar\u0131 i\u00e7inde yer alan \u201cMeryem\u2019in \u00f6l\u00fcm d\u00f6\u015fe\u011fi\u201d resimleri ba\u015fka b\u00f6lgelerde yoktur. \u00c7\u00fcnk\u00fc Hz. Meryem Ni\u011fde\u2019de 114 ya\u015f\u0131na kadar ya\u015fad\u0131ktan sonra burada vefat etmi\u015ftir. Sonraki as\u0131rlarda onun ad\u0131na H\u00fcdavend Hatun T\u00fcrbesi olarak bilinen bir k\u00fcmbet in\u015fa edilmi\u015ftir. Ayr\u0131ca \u00e7ok sonraki as\u0131rlarda kullan\u0131lan Ni\u011fde \u015fehir merkezindeki Meryem Ana Kilisesi, Hz. Meryem ad\u0131na yap\u0131lm\u0131\u015ft\u0131r. Bug\u00fcn Camii olarak ibadete a\u00e7\u0131kt\u0131r.<\/p>\n\n\n\n

Beni \u015fa\u015f\u0131rtan bir olay da \u015fudur: Ni\u011fde Alaaddin Camiinin Do\u011fu\u2019ya bakan kap\u0131s\u0131n\u0131n \u00fczerindeki kad\u0131n silueti ve resmi, Hz Meryem\u2019in resmidir. Bu g\u00f6lge resim, g\u00fcne\u015f do\u011fduktan bir s\u00fcre sonra caminin do\u011fu kap\u0131s\u0131n\u0131n \u00fczerindeki g\u00f6lgelerden olu\u015fmaktad\u0131r\u2026.\u201d<\/p>\n\n\n\n

Kaya \u0130\u00e7inde Sakl\u0131 Bir Manast\u0131r<\/h3>\n\n\n\n

G\u00fcm\u00fc\u015fler Manast\u0131r\u0131\u2019na yakla\u015f\u0131rken d\u0131\u015far\u0131dan bak\u0131ld\u0131\u011f\u0131nda insan\u0131 kar\u015f\u0131layan \u015fey, ilk anda s\u0131radan bir kaya k\u00fctlesi gibi g\u00f6r\u00fcnebilir. Fakat i\u00e7eri ad\u0131m att\u0131\u011f\u0131n\u0131zda bamba\u015fka bir d\u00fcnya ortaya \u00e7\u0131kar.<\/p>\n\n\n\n

Ortada b\u00fcy\u00fck ve etkileyici bir a\u00e7\u0131k avlu, \u00e7evresinde kayaya oyulmu\u015f mek\u00e2nlar, odalar, mezar alanlar\u0131 ve yeralt\u0131 b\u00f6l\u00fcmleri bulunur. Avlunun duvarlar\u0131 yakla\u015f\u0131k 14 metre y\u00fcksekli\u011findedir<\/strong>. Kompleksin i\u00e7inde kilisenin yan\u0131 s\u0131ra rahiplerin ya\u015fam alanlar\u0131, \u00e7e\u015fitli kullan\u0131m mek\u00e2nlar\u0131 ve iki katl\u0131 yeralt\u0131 b\u00f6l\u00fcmleri de bulunmaktad\u0131r.<\/p>\n\n\n

\n
\"G\u00fcm\u00fc\u015fler
G\u00fcm\u00fc\u015fler Manast\u0131r\u0131 (Foto\u011fraf: Aysel \u00d6zcan Yeti\u015f)<\/figcaption><\/figure><\/div>\n\n\n

Buran\u0131n en etkileyici b\u00f6l\u00fcm\u00fc ise hi\u00e7 ku\u015fkusuz kilisedir.<\/p>\n\n\n\n

Kayan\u0131n i\u00e7ine oyulmu\u015f kilisenin duvarlar\u0131, y\u00fczy\u0131llar \u00f6nce yap\u0131lm\u0131\u015f fresklerle kapl\u0131d\u0131r. Renklerin \u00f6nemli bir b\u00f6l\u00fcm\u00fcn\u00fcn g\u00fcn\u00fcm\u00fcze kadar ula\u015fm\u0131\u015f olmas\u0131, G\u00fcm\u00fc\u015fler’i Kapadokya ve Orta Anadolu’daki kaya kiliseleri aras\u0131nda \u00f6zel bir yere ta\u015f\u0131r.<\/p>\n\n\n\n

Bug\u00fcn g\u00f6rd\u00fc\u011f\u00fcm\u00fcz duvar resimleri genel olarak 11. ve 12. y\u00fczy\u0131llara<\/strong> tarihlendirilirken, manast\u0131r kompleksinin olu\u015fumunun daha geni\u015f bir zaman dilimine, yakla\u015f\u0131k 8. ve 12. y\u00fczy\u0131llar aras\u0131na yay\u0131ld\u0131\u011f\u0131 y\u00f6n\u00fcnde de\u011ferlendirmeler de bulunmaktad\u0131r.<\/p>\n\n\n\n

Ve Kar\u015f\u0131n\u0131zda \u201cG\u00fclen Meryem Ana\u201d…<\/h3>\n\n\n\n

Kilisenin i\u00e7inde ilerlerken g\u00f6z\u00fcn\u00fcz bir anda o me\u015fhur freske tak\u0131l\u0131yor.<\/p>\n\n\n

\n
\"G\u00fclen
G\u00fclen Meryem Ana Freski, G\u00fcm\u00fc\u015fler Manast\u0131r\u0131 (Foto\u011fraf: Aysel \u00d6zcan Yeti\u015f)<\/figcaption><\/figure><\/div>\n\n\n

Kuca\u011f\u0131nda \u00c7ocuk \u0130sa’y\u0131 ta\u015f\u0131yan Meryem Ana…<\/p>\n\n\n\n

Fakat bu kez al\u0131\u015f\u0131lm\u0131\u015f Meryem Ana tasvirlerinden biraz farkl\u0131 bir y\u00fcz ifadesiyle.<\/p>\n\n\n\n

Tebess\u00fcm ediyor.<\/strong><\/p>\n\n\n\n

\u0130\u015fte G\u00fcm\u00fc\u015fler Manast\u0131r\u0131’n\u0131 T\u00fcrkiye’nin ve d\u00fcnyan\u0131n dikkat \u00e7eken kaya manast\u0131rlar\u0131ndan biri haline getiren en \u00f6nemli ayr\u0131nt\u0131 da bu.<\/p>\n\n\n\n

\u201cG\u00fclen Meryem Ana\u201d ya da \u201cG\u00fcl\u00fcmseyen Meryem Ana\u201d olarak tan\u0131nan bu fresk, g\u00fcn\u00fcm\u00fczde \u00f6zellikle Anadolu’da e\u015fsiz bir \u00f6rnek<\/strong> olarak tan\u0131t\u0131l\u0131yor. Hatta pek \u00e7ok kaynakta \u201cd\u00fcnyada tek\u201d ifadesiyle an\u0131l\u0131yor. Freskte Meryem Ana, kuca\u011f\u0131ndaki \u00e7ocuk \u0130sa ile birlikte betimlenmi\u015f durumda.<\/p>\n\n\n\n

Freskin \u00f6n\u00fcnde durdu\u011funda insan ister istemez birka\u00e7 saniye daha bak\u0131yor. \u00c7\u00fcnk\u00fc y\u00fcz\u00fcndeki o k\u00fc\u00e7\u00fck tebess\u00fcm, ta\u015f ve kaya aras\u0131nda ge\u00e7en uzun tarih yolculu\u011funun i\u00e7inden g\u00fcn\u00fcm\u00fcze ula\u015fm\u0131\u015f \u015fa\u015f\u0131rt\u0131c\u0131 derecede insani bir ifade gibi geliyor.<\/p>\n\n\n\n

Ancak burada ilgin\u00e7 bir ayr\u0131nt\u0131 daha var.<\/p>\n\n\n\n

Meryem Ana’n\u0131n bu g\u00fcl\u00fcmsemesinin freskin ilk yap\u0131ld\u0131\u011f\u0131 d\u00f6neme ait olup olmad\u0131\u011f\u0131 konusunda tart\u0131\u015fmalar bulunuyor. 1960’l\u0131 y\u0131llarda fresklerin temizlenmesi ve restorasyonu s\u0131ras\u0131nda \u0130ngiliz arkeolog ve restorat\u00f6r Michael Gough<\/strong> ba\u015fkanl\u0131\u011f\u0131nda \u00e7al\u0131\u015fmalar y\u00fcr\u00fct\u00fclm\u00fc\u015f. Baz\u0131 ara\u015ft\u0131rmac\u0131lar, bug\u00fcnk\u00fc g\u00fcl\u00fcmsemenin orijinal tasvirin bir par\u00e7as\u0131 olmayabilece\u011fini ve restorasyon s\u0131ras\u0131nda ortaya \u00e7\u0131kan bir m\u00fcdahaleden kaynaklanm\u0131\u015f olabilece\u011fini ileri s\u00fcrm\u00fc\u015flerdir. Bu nedenle \u201cg\u00fclen Meryem\u201d yaln\u0131zca estetik a\u00e7\u0131dan de\u011fil, restorasyon tarihi a\u00e7\u0131s\u0131ndan da olduk\u00e7a ilgin\u00e7 bir \u00f6rnektir.<\/p>\n\n\n\n

Belki de bu tart\u0131\u015fma, freski daha da ilgin\u00e7 hale getiriyor.<\/p>\n\n\n\n

\u00c7\u00fcnk\u00fc ziyaret\u00e7i olarak kar\u015f\u0131n\u0131zda duran \u015fey yaln\u0131zca bin y\u0131ll\u0131k bir duvar resmi de\u011fil ayn\u0131 zamanda y\u00fczy\u0131llar boyunca de\u011fi\u015fen, onar\u0131lan ve yeniden yorumlanan bir k\u00fclt\u00fcr miras\u0131.<\/p>\n\n\n\n

Meryem Ana’n\u0131n Yan\u0131nda Kimler Var?<\/h3>\n\n\n\n

G\u00fcm\u00fc\u015fler Manast\u0131r\u0131’nda foto\u011fraf \u00e7ekerken yaln\u0131zca G\u00fclen Meryem Ana’ya odaklanmamak gerekiyor. Kilisenin duvarlar\u0131nda, Hristiyanl\u0131k tarihinin \u00f6nemli ki\u015fileri ve \u0130ncil’den \u00e7e\u015fitli sahneler olduk\u00e7a zengin bir program i\u00e7erisinde i\u015flenmi\u015f.<\/p>\n\n\n\n

\u00d6zellikle Meryem Ana ve \u00c7ocuk \u0130sa’n\u0131n iki yan\u0131nda bulunan fig\u00fcrler dikkat \u00e7ekiyor.<\/p>\n\n\n\n

Bunlar Ba\u015fmelek Cebrail (Gabriel)<\/strong> ve Ba\u015fmelek Mikail (Mikael)<\/strong>.<\/p>\n\n\n\n

Bu iki ba\u015fmelek, Meryem Ana’n\u0131n yan\u0131nda g\u00f6rkemli fig\u00fcrler olarak kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor. Dolay\u0131s\u0131yla Meryem Ana ile birlikte \u00e7ekilen foto\u011fraflarda g\u00f6r\u00fclen bu iki fig\u00fcr\u00fcn kim oldu\u011funu bilmek, foto\u011frafa bakt\u0131\u011f\u0131n\u0131zda hik\u00e2yeyi de g\u00f6rmenizi sa\u011fl\u0131yor. T.C. K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 kaynaklar\u0131, bu b\u00f6l\u00fcmde Meryem ve \u00c7ocuk \u0130sa’n\u0131n iki yan\u0131nda Gabriel ve Mikael’in bulundu\u011funu a\u00e7\u0131k\u00e7a belirtiyor.<\/p>\n\n\n\n

Kilisenin Di\u011fer Freskleri<\/strong><\/p>\n\n\n\n

G\u00fcm\u00fc\u015fler Manast\u0131r\u0131’n\u0131n freskleri yaln\u0131zca Meryem Ana’dan ibaret de\u011fil. Kiliseyi dola\u015ft\u0131k\u00e7a adeta bir \u0130ncil anlat\u0131s\u0131n\u0131n sahne sahne duvarlara i\u015flendi\u011fini g\u00f6r\u00fcyorsunuz.<\/p>\n\n\n

\n
\"Freskler,
Freskler, G\u00fcm\u00fc\u015fler Manast\u0131r\u0131 (Foto\u011fraf: Aysel \u00d6zcan Yeti\u015f)<\/figcaption><\/figure><\/div>\n\n\n

Meryem’e M\u00fcjde<\/strong> sahnesinde, Meryem’e \u0130sa’n\u0131n do\u011fumunun m\u00fcjdelenmesi anlat\u0131l\u0131yor.<\/p>\n\n\n\n

\u0130sa’n\u0131n Do\u011fumu<\/strong> sahnesi, Hristiyan sanat\u0131nda en s\u0131k kar\u015f\u0131la\u015f\u0131lan konulardan biri olan do\u011fum anlat\u0131s\u0131n\u0131 kar\u015f\u0131m\u0131za \u00e7\u0131kar\u0131yor.<\/p>\n\n\n\n

\u0130sa’n\u0131n Tap\u0131na\u011fa Takdimi<\/strong> ise \u00e7ocuk \u0130sa’n\u0131n tap\u0131na\u011fa g\u00f6t\u00fcr\u00fclmesini konu al\u0131yor.<\/p>\n\n\n\n

Bunun yan\u0131nda Vaftizci Yahya<\/strong> ve Aziz Stephanos<\/strong> fig\u00fcrleri de kilisenin \u00f6nemli tasvirleri aras\u0131nda yer al\u0131yor.<\/p>\n\n\n\n

Ana apsiste ise daha b\u00fcy\u00fck ve t\u00f6rensel bir kompozisyon bulunuyor.<\/p>\n\n\n\n

Buradaki sahneler aras\u0131nda Deesis (Yakar\u0131\u015f)<\/strong> olarak bilinen tasvir \u00f6zellikle \u00f6nem ta\u015f\u0131yor. Bu sahnede merkezde \u0130sa, yan\u0131nda Meryem Ana ve Vaftizci Yahya bulunuyor. Kompozisyonun alt\u0131nda ise havariler ve Hristiyan d\u00fcnyas\u0131n\u0131n \u00f6nemli din\u00ee \u015fahsiyetleri s\u0131ralan\u0131yor.<\/p>\n\n\n\n

Kapadokya’n\u0131n \u00dc\u00e7 \u00d6nemli Kilise Babas\u0131<\/h3>\n\n\n\n

Foto\u011fraflar\u0131n\u0131zda Meryem Ana’n\u0131n yan\u0131nda ya da kilisenin di\u011fer b\u00f6l\u00fcmlerinde g\u00f6rd\u00fc\u011f\u00fcn\u00fcz baz\u0131 erkek fig\u00fcrleri \u00f6zellikle dikkat \u00e7ekebilir.<\/p>\n\n\n\n

Bunlar\u0131n aras\u0131nda \u00fc\u00e7 \u00f6nemli isim bulunuyor:<\/p>\n\n\n\n

Kayserili B\u00fcy\u00fck Basileios (Basilios)<\/strong>,
Nysa’l\u0131 Gregorios<\/strong>,
Naziyans’l\u0131 Gregorios<\/strong>.<\/p>\n\n\n\n

Bu \u00fc\u00e7 isim, Hristiyanl\u0131k tarihinin \u00f6zellikle Kapadokya b\u00f6lgesi a\u00e7\u0131s\u0131ndan son derece \u00f6nemli din bilginleri ve kilise babalar\u0131 aras\u0131nda kabul ediliyor. G\u00fcm\u00fc\u015fler Manast\u0131r\u0131’ndaki fresk program\u0131nda bu ki\u015filerin yer almas\u0131, kilisenin yaln\u0131zca \u0130sa’n\u0131n hayat\u0131n\u0131 anlatan sahnelerle s\u0131n\u0131rl\u0131 kalmad\u0131\u011f\u0131n\u0131, ayn\u0131 zamanda Hristiyan d\u00fc\u015f\u00fcncesinin \u00f6nemli isimlerine de yer verdi\u011fini g\u00f6steriyor.<\/p>\n\n\n\n

Bu nedenle \u00e7ekti\u011finiz foto\u011fraflara bakarken her y\u00fcz\u00fcn yaln\u0131zca \u201cbir aziz resmi\u201d olmad\u0131\u011f\u0131n\u0131, arkas\u0131nda ayr\u0131 bir tarih ve inan\u00e7 hik\u00e2yesi bulundu\u011funu d\u00fc\u015f\u00fcnmek m\u00fcmk\u00fcn.<\/p>\n\n\n\n

Duvarlarda Sadece Din\u00ee Sahneler Yok<\/h3>\n\n\n\n

G\u00fcm\u00fc\u015fler Manast\u0131r\u0131’n\u0131n bir ba\u015fka \u015fa\u015f\u0131rt\u0131c\u0131 y\u00f6n\u00fc ise narteksin \u00fcst\u00fcndeki odalarda bulunan av sahneleri ve hayvan fig\u00fcrleri<\/strong>.<\/p>\n\n\n\n

Kapadokya’daki kaya kiliselerinde \u00e7o\u011funlukla din\u00ee konular\u0131n a\u011f\u0131rl\u0131kta oldu\u011funu d\u00fc\u015f\u00fcn\u00fcrsek, buradaki av ve hayvan kompozisyonlar\u0131 olduk\u00e7a farkl\u0131 bir atmosfer yarat\u0131yor. T.C. K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 kaynaklar\u0131, bu sahnelerin Kapadokya’da ba\u015fka \u00f6rne\u011fi bulunmayan dikkat \u00e7ekici bir \u00f6zellik oldu\u011funu belirtiyor.<\/p>\n\n\n\n

Yani G\u00fcm\u00fc\u015fler Manast\u0131r\u0131’n\u0131 gezerken yaln\u0131zca kilisenin kutsal resimlerine de\u011fil, yap\u0131n\u0131n b\u00fct\u00fcn\u00fcne bakmak gerekiyor.<\/p>\n\n\n\n

Bir duvar resmi\u2026
Bir kaya odas\u0131\u2026
Bir mezar alan\u0131\u2026
Yeralt\u0131na a\u00e7\u0131lan bir ge\u00e7it\u2026
Ve birka\u00e7 metre ileride bin y\u0131l \u00f6ncesinden kalm\u0131\u015f ba\u015fka bir fresk.<\/p>\n\n\n\n

B\u00fct\u00fcn bunlar birle\u015fti\u011finde G\u00fcm\u00fc\u015fler Manast\u0131r\u0131, yaln\u0131zca ziyaret edilen bir tarih\u00ee yap\u0131 olmaktan \u00e7\u0131k\u0131p adeta kayan\u0131n i\u00e7ine gizlenmi\u015f bir zaman kaps\u00fcl\u00fcne d\u00f6n\u00fc\u015f\u00fcyor.<\/p>\n\n\n\n

G\u00fcm\u00fc\u015fler’e Gidince…<\/h3>\n\n\n\n

Ni\u011fde’ye yolu d\u00fc\u015fenlerin \u015fehir merkezinden yaln\u0131zca birka\u00e7 kilometre uzakla\u015farak b\u00f6yle b\u00fcy\u00fck bir tarih\u00ee mirasa ula\u015fabilmesi ger\u00e7ekten b\u00fcy\u00fck bir \u015fans.<\/p>\n\n\n

\n
\"G\u00fcm\u00fc\u015fler
G\u00fcm\u00fc\u015fler Manast\u0131r\u0131 (Foto\u011fraf: Aysel \u00d6zcan Yeti\u015f)<\/figcaption><\/figure><\/div>\n\n\n

Bug\u00fcn manast\u0131ra geldi\u011finizde ilk bak\u0131\u015fta yaln\u0131zca kayaya oyulmu\u015f bir yerle\u015fim g\u00f6r\u00fcyorsunuz. Fakat avluya ad\u0131m att\u0131\u011f\u0131n\u0131z anda kaya duvarlar\u0131n\u0131n aras\u0131nda y\u00fckselen sessizlik, sizi yava\u015flamaya zorluyor.<\/p>\n\n\n\n

Ve kilisenin i\u00e7ine girdi\u011finizde\u2026<\/p>\n\n\n\n

Y\u00fczy\u0131llard\u0131r orada duran fresklerle kar\u015f\u0131la\u015f\u0131yorsunuz.<\/p>\n\n\n\n

\u0130sa’n\u0131n hayat\u0131, Meryem Ana, ba\u015fmelekler, havariler, azizler ve kilise babalar\u0131\u2026<\/p>\n\n\n\n

Ve b\u00fct\u00fcn bu tarih\u00ee anlat\u0131n\u0131n aras\u0131nda, belki de en \u00e7ok dikkatinizi \u00e7eken o k\u00fc\u00e7\u00fck tebess\u00fcm:<\/p>\n\n\n\n

G\u00fclen Meryem Ana.<\/strong><\/p>\n\n\n\n

Belki bu tebess\u00fcm bin y\u0131l \u00f6nce ressam\u0131n bilin\u00e7li olarak verdi\u011fi bir ifadeydi.
Belki de y\u00fczy\u0131llar sonra yap\u0131lan restorasyon s\u0131ras\u0131nda ortaya \u00e7\u0131kt\u0131.
Bunu kesin olarak s\u00f6ylemek kolay de\u011fil.<\/p>\n\n\n\n

Ama bug\u00fcn G\u00fcm\u00fc\u015fler Manast\u0131r\u0131’na gelen herkes i\u00e7in o tebess\u00fcm, bu sessiz kaya manast\u0131r\u0131n\u0131n haf\u0131zas\u0131na kaz\u0131nm\u0131\u015f en \u00f6zel ayr\u0131nt\u0131lardan biri.<\/p>\n\n\n\n

Bu y\u00fczden G\u00fcm\u00fc\u015fler Manast\u0131r\u0131’ndan ayr\u0131l\u0131rken insan\u0131n akl\u0131nda yaln\u0131zca \u201c\u00e7ok eski bir manast\u0131r g\u00f6rd\u00fcm\u201d d\u00fc\u015f\u00fcncesi kalm\u0131yor.<\/p>\n\n\n\n

Daha \u00e7ok \u015fu duygu kal\u0131yor:<\/p>\n\n\n\n

Bin y\u0131l \u00f6nce bir kayan\u0131n i\u00e7ine i\u015flenen bir hik\u00e2yeye bug\u00fcn yeniden bakm\u0131\u015f olmak.<\/strong><\/p>\n\n\n\n

Ve belki de G\u00fcm\u00fc\u015fler’in en g\u00fczel taraf\u0131 tam olarak bu\u2026<\/p>\n\n\n\n

Kayalar susuyor, freskler anlat\u0131yor. Ve bu da Ni\u011fde\u2019mizin de\u011ferli oldu\u011funun ve \u015fansl\u0131 oldu\u011fumuzun bir kan\u0131t\u0131 de\u011fil mi! G\u00fcl\u00fcmsemek i\u00e7in Meryem Ana\u2019m\u0131z\u0131 ziyarete ne dersiniz\u2026<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Baz\u0131 tarih\u00ee yap\u0131lar vard\u0131r, daha kap\u0131s\u0131ndan girerken insan\u0131 y\u00fczy\u0131llar \u00f6ncesine g\u00f6t\u00fcr\u00fcr. Baz\u0131lar\u0131 ise yaln\u0131zca ge\u00e7mi\u015fi de\u011fil, i\u00e7inde saklad\u0131\u011f\u0131 k\u00fc\u00e7\u00fck bir ayr\u0131nt\u0131yla insan\u0131n haf\u0131zas\u0131nda bamba\u015fka bir yer edinir. Ni\u011fde\u2019nin G\u00fcm\u00fc\u015fler beldesinde, b\u00fcy\u00fck bir kaya k\u00fctlesinin i\u00e7ine oyularak meydana getirilen G\u00fcm\u00fc\u015fler Manast\u0131r\u0131 da i\u015fte b\u00f6yle bir yer. Bir den fazla kez ziyaret ettim. Her ziyaretim sanki ilk […]<\/p>\n","protected":false},"author":14005,"featured_media":163897,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"G\u00fcm\u00fc\u015fler Manast\u0131r\u0131","_yoast_wpseo_title":"","_yoast_wpseo_metadesc":"Ni\u011fde\u2019nin G\u00fcm\u00fc\u015fler beldesinde, b\u00fcy\u00fck bir kaya k\u00fctlesinin i\u00e7ine oyularak meydana getirilen G\u00fcm\u00fc\u015fler Manast\u0131r\u0131 i\u015fte b\u00f6yle bir yer.","_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":"","_yoast_wpseo_focuskw_text_input":""},"categories":[10057],"tags":[11729,12767],"yoast_head":"\nKayalar\u0131n \u0130\u00e7indeki Tebess\u00fcm: Ni\u011fde G\u00fcm\u00fc\u015fler Manast\u0131r\u0131 - The Epoch Times TR<\/title>\n<meta name=\"description\" content=\"Ni\u011fde\u2019nin G\u00fcm\u00fc\u015fler beldesinde, b\u00fcy\u00fck bir kaya k\u00fctlesinin i\u00e7ine oyularak meydana getirilen G\u00fcm\u00fc\u015fler Manast\u0131r\u0131 i\u015fte b\u00f6yle bir yer.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/epochtimestr.com\/index.php\/kayalarin-icindeki-tebessum-nigde-gumusler-manastiri\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kayalar\u0131n \u0130\u00e7indeki Tebess\u00fcm: Ni\u011fde G\u00fcm\u00fc\u015fler Manast\u0131r\u0131 - 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