{"id":172613,"date":"2026-10-09T10:58:49","date_gmt":"2026-10-09T07:58:49","guid":{"rendered":"https:\/\/epochtimestr.com\/?p=172613"},"modified":"2026-10-09T10:58:51","modified_gmt":"2026-10-09T07:58:51","slug":"sonra-yok-sonrasi-simdi-sergisi-arterde-ziyarete-acildi","status":"publish","type":"post","link":"https:\/\/epochtimestr.com\/index.php\/sonra-yok-sonrasi-simdi-sergisi-arterde-ziyarete-acildi","title":{"rendered":"‘Sonra yok. Sonras\u0131 \u015fimdi’ Sergisi Arter’de Ziyarete A\u00e7\u0131ld\u0131"},"content":{"rendered":"
\n
\"Arter\u2019de
Arter\u2019de “Yava\u015f K\u0131yamet” sorgusunu anlatan, ‘Sonra yok. Sonras\u0131 \u015fimdi.’ sergisi ziyarete a\u00e7\u0131ld\u0131. (Foto\u011fraf: Arter facebook)<\/figcaption><\/figure><\/div>\n\n\n

‘Sonra yok. Sonras\u0131 \u015fimdi’ sergisi, k\u0131yameti d\u00fc\u015f\u00fcnmek yerine, d\u00fcnyan\u0131n t\u00fckenen ger\u00e7ekli\u011fini ve bu t\u00fckeni\u015fin ko\u015fullar\u0131n\u0131 sorguluyor.<\/h2>\n\n\n\n

\u0130stanbul<\/a>\u2019un \u00f6nde gelen \u00e7a\u011fda\u015f sanat merkezlerinden Arter, koleksiyonundan derlenen yeni grup ‘Sonra yok. Sonras\u0131 \u015fimdi’ sergisi sanatseverlerle bulu\u015fturdu. Galeri 3’te ziyarete a\u00e7\u0131lan sergi, pop\u00fcler k\u00fclt\u00fcr\u00fcn ani felaket senaryolar\u0131 yerine, gezegenin bug\u00fcn i\u00e7inde bulundu\u011fu ekolojik<\/a>, politik ve varolu\u015fsal krizlere odaklan\u0131yor.<\/p>\n\n\n\n

K\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc Delfin \u00d6\u011f\u00fcto\u011fullar\u0131\u2019n\u0131n \u00fcstlendi\u011fi ‘Sonra yok. Sonras\u0131 \u015fimdi.’ ba\u015fl\u0131kl\u0131 grup sergisi, Arter’in \u00fc\u00e7\u00fcnc\u00fc kat\u0131nda kap\u0131lar\u0131n\u0131 ziyaret\u00e7ilere a\u00e7t\u0131. Arter Koleksiyonu\u2019ndan kapsaml\u0131 bir se\u00e7kiyi bir araya getiren sergi, “d\u00fcnyan\u0131n sonu” kavram\u0131n\u0131 sinematik ya da tek seferlik bir k\u0131yamet senaryosu olarak g\u00f6rmek yerine, g\u00fcn\u00fcm\u00fczde bizzat ya\u015fanan ve yava\u015f ilerleyen \u00e7\u00f6k\u00fc\u015f\u00fcn mekanizmalar\u0131 \u00fczerinden ele al\u0131yor.<\/p>\n\n\n

\n
\"Arter\u2019de
Arter\u2019de “Yava\u015f K\u0131yamet” sorgusunu anlatan, ‘Sonra yok. Sonras\u0131 \u015fimdi.’ sergisi ziyarete a\u00e7\u0131ld\u0131. (Foto\u011fraf: Arter facebook)<\/figcaption><\/figure><\/div>\n\n\n

\u0130lham\u0131n\u0131 “Yol” Roman\u0131ndan Al\u0131yor<\/strong><\/p>\n\n\n\n

Sergi, etkileyici ba\u015fl\u0131\u011f\u0131n\u0131 Cormac McCarthy\u2019nin \u00fcnl\u00fc k\u0131yamet sonras\u0131 roman\u0131 Yol\u2019dan (The Road) al\u0131yor. Roman\u0131n d\u00fcnyay\u0131 tekil bir sonla s\u0131n\u0131rlamayan, aksine t\u00fckenen ger\u00e7ekli\u011fin ko\u015fullar\u0131n\u0131 \u0131srarla sorgulayan yap\u0131s\u0131ndan beslenen sergi, k\u0131yamet d\u00fc\u015f\u00fcncesinin medyada ve pop\u00fcler k\u00fclt\u00fcrde nas\u0131l manip\u00fcle edilerek t\u00fcketildi\u011fini masaya yat\u0131r\u0131yor. K\u00fcresel<\/a> \u0131s\u0131nma, plastik at\u0131klar, radyasyon ve hidrokarbonlar gibi etkileri yery\u00fcz\u00fcndeki insan \u00f6mr\u00fcnden \u00e7ok daha uzun s\u00fcrecek krizler, serginin ana izleklerini olu\u015fturuyor.<\/p>\n\n\n\n

Felaket Ekranlar\u0131 ve Iskarta Cihazlar<\/h3>\n\n\n\n

Ziyaret\u00e7iyi salt bir izleyici olmaktan \u00e7\u0131karan sergi kurgusu, \u00e7arp\u0131c\u0131 kar\u015f\u0131la\u015fma alanlar\u0131 sunuyor. Sergi alan\u0131na girenler kendilerini kimi zaman bir felaket haberinin aktar\u0131ld\u0131\u011f\u0131 hayali bir ekran\u0131n kar\u015f\u0131s\u0131nda, kimi zaman da adeta d\u00fcnyan\u0131n sonundan geriye kalm\u0131\u015f izlenimi veren \u0131skarta nesne ve cihazlar\u0131n aras\u0131nda buluyor. Bu enstalasyonlar arac\u0131l\u0131\u011f\u0131yla medya s\u00f6ylemlerinin ve s\u00fcrekli tekrarlanan k\u0131yamet imgelerinin, bug\u00fcn halihaz\u0131rda devam eden y\u0131k\u0131m\u0131n kendisini nas\u0131l g\u00f6r\u00fcnmez k\u0131ld\u0131\u011f\u0131 tart\u0131\u015fmaya a\u00e7\u0131l\u0131yor.<\/p>\n\n\n\n

“D\u00fcnyan\u0131n Sonunu Hayal Etmek Neden Daha Kolay?”<\/strong><\/p>\n\n\n\n

Sergi metninde yer alan “D\u00fcnyan\u0131n sonunu hayal etmek, neden onun \u00e7\u00fcr\u00fcyen mekanizmalar\u0131n\u0131n sonunu hayal etmekten daha kolay?” sorusu, se\u00e7kinin temel felsefesini \u00f6zetliyor. Bu soru \u00fczerinden k\u0131yamet fikrinin bir kehanet ya da fiili bir son olmaktan ziyade, mevcut krizler kar\u015f\u0131s\u0131nda toplumlar\u0131n s\u0131k\u0131\u015f\u0131p kald\u0131\u011f\u0131 kolektif \u00e7\u0131kmaz\u0131n bir g\u00f6stergesi oldu\u011fu vurgulan\u0131yor.<\/p>\n\n\n\n

Can Altay, Halil Alt\u0131ndere, Thomas Bayrle, Nam June Paik ve Gerhard Richter gibi yerli ve yabanc\u0131 pek \u00e7ok \u00f6nemli sanat\u00e7\u0131n\u0131n yap\u0131tlar\u0131na ev sahipli\u011fi yapan “Sonra yok. Sonras\u0131 \u015fimdi.”, Arter’in resmi web sitesi \u00fczerinden duyurulan ziyaret takvimine g\u00f6re 28 Mart 2027 tarihine kadar Galeri 3\u2019te g\u00f6r\u00fclebilir.<\/p>\n\n\n\n

Kat\u0131lan Sanat\u00e7\u0131lar:<\/strong><\/p>\n\n\n\n

Can Altay, Halil Alt\u0131ndere, Thomas Bayrle, Nermin Er, Ceal Floyer, Alison Knowles, Jaros\u0142aw Koz\u0142owski, Alicja Kwade, Nicholas Mangan, Olaf Metzel, Nam June Paik, Gerhard Richter & Sigmar Polke, James Richards, Gerhard R\u00fchm, Necla R\u00fczgar, Hrair Sarkissian, Sin Wai Kin, Amikam Toren, Nasan Tur, Wolf Vostell.<\/p>\n","protected":false},"excerpt":{"rendered":"

‘Sonra yok. Sonras\u0131 \u015fimdi’ sergisi, k\u0131yameti d\u00fc\u015f\u00fcnmek yerine, d\u00fcnyan\u0131n t\u00fckenen ger\u00e7ekli\u011fini ve bu t\u00fckeni\u015fin ko\u015fullar\u0131n\u0131 sorguluyor. \u0130stanbul\u2019un \u00f6nde gelen \u00e7a\u011fda\u015f sanat merkezlerinden Arter, koleksiyonundan derlenen yeni grup ‘Sonra yok. Sonras\u0131 \u015fimdi’ sergisi sanatseverlerle bulu\u015fturdu. Galeri 3’te ziyarete a\u00e7\u0131lan sergi, pop\u00fcler k\u00fclt\u00fcr\u00fcn ani felaket senaryolar\u0131 yerine, gezegenin bug\u00fcn i\u00e7inde bulundu\u011fu ekolojik, politik ve varolu\u015fsal krizlere odaklan\u0131yor. […]<\/p>\n","protected":false},"author":12791,"featured_media":172615,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"'Sonra yok. Sonras\u0131 \u015fimdi' sergisi","_yoast_wpseo_title":"","_yoast_wpseo_metadesc":"'Sonra yok. Sonras\u0131 \u015fimdi' sergisi, k\u0131yameti d\u00fc\u015f\u00fcnmek yerine, d\u00fcnyan\u0131n t\u00fckenen ger\u00e7ekli\u011fini ve bu t\u00fckeni\u015fin ko\u015fullar\u0131n\u0131 sorguluyor.","_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_forum_subforum_count":0,"footnotes":"","_yoast_wpseo_focuskw_text_input":""},"categories":[1,6916],"tags":[13073,13074,13072,7348,86,13075],"yoast_head":"\n'Sonra yok. Sonras\u0131 \u015fimdi' Sergisi Arter'de Ziyarete A\u00e7\u0131ld\u0131 - The Epoch Times TR<\/title>\n<meta name=\"description\" content=\"'Sonra yok. 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