![\"\"](\"http:\/\/www.epochtimestr.com\/wp-content\/uploads\/2011y\/saim-bugay.jpg\")
Mimar Sinan G\u00fczel Sanatlar \u00dcniversitesi Tophane-i Amire binas\u0131, heykelt\u0131ra\u015f Saim Bugay\u2019\u0131n 77. ya\u015f g\u00fcn\u00fc an\u0131s\u0131na \u201c\u00d6yle mi?\u201d ba\u015fl\u0131kl\u0131 karma kukla sergisine ev sahipli\u011fi yap\u0131yor.<\/p>\n
Saim Bugay\u2019\u0131n aram\u0131zdan ayr\u0131l\u0131\u015f\u0131n\u0131n 3. y\u0131l\u0131nda, O\u2019nu \u00f6l\u00fcm de\u011fil ya\u015f g\u00fcn\u00fcnde anmay\u0131 anlaml\u0131 bulan kat\u0131l\u0131mc\u0131lar, Saim Bugay\u2019\u0131n yan\u0131 s\u0131ra Sava\u015f Din\u00e7el, Ferhan \u015eensoy, \u00d6zdemir Asaf, Kuzgun Acar, Neyzen Tevfik, Genco Erkal, Aziz Nesin, Turhan Sel\u00e7uk, Ara G\u00fcler, Erol G\u00fcnayd\u0131n, Fahrelnisa Zeyid, B\u00fclent Orta\u00e7gil gibi iz b\u0131rakm\u0131\u015f isimlerin tiplemelerini yorumlarken, kavramlar \u00fczerinden g\u00fcn\u00fcm\u00fcze dair saptamalar yapan \u00e7al\u0131\u015fmalar\u0131n\u0131 da sunuyorlar.<\/p>\n
Her biri Bugay\u2019\u0131n an\u0131s\u0131na dair bir anlam i\u00e7eren, farkl\u0131 tekniklerde kuklalar\u0131n sergilenece\u011fi sergi, 11 Mart\u2019a kadar gezilebilir.<\/p>\n
Kat\u0131l\u0131mc\u0131lar<\/strong><\/p>\n Asl\u0131 Erkmen, Asuman S\u00fcbay, Ava Turak, Bar\u0131\u015f Din\u00e7el, Ba\u015fak Bugay, Ba\u015fak Karafaki K\u00f6yl\u00fco\u011flu, Ba\u015fak \u00d6zdo\u011fan, Berkay Ate\u015f, Berkay K\u00f6yl\u00fco\u011flu, \u00c7a\u011fda\u015f Yazgan, \u00c7a\u011fla Tuluk\u00e7u Arkman, Deniz Orhon Kurdak, Ebru \u00d6ztaylan, Ela Aydemir, \u0130smail Haz\u0131r, Leyla Gezen, M\u00fcge Berkay, \u00d6m\u00fcr Cansen K\u00f6ke\u015f, \u00d6zge \u00c7ekmez, Sava\u015f \u00d6zdemir, Sedef Kermen, \u015eeyda Hac\u0131zadekordlar<\/p>\n Saim Bugay Hakk\u0131nda:<\/strong><\/p>\n 1934 y\u0131l\u0131nda Mersin’de do\u011fan sanat\u00e7\u0131, 1962-1967 y\u0131llar\u0131 aras\u0131nda \u0130stanbul Devlet G\u00fczel Sanatlar Akademisi Heykel B\u00f6l\u00fcm\u00fc\u2019nde e\u011fitim g\u00f6r\u00fcp, birincilikle girdi\u011fi okulundan yine birincilikle mezun olmu\u015ftur. 1969-1974\u2019de Devlet bursu ile, Paris merkez olmak \u00fczere Fransa\u2019da (\u0130ngiltere, Danimarka, Almanya, Bel\u00e7ika, Hollanda, \u0130talya\u2019da incelemeleri ile birlikte) \u00e7al\u0131\u015fma ve ara\u015ft\u0131rmalar\u0131n\u0131 \u00f6zellikle ah\u015fap heykeller uzmanl\u0131k alan\u0131nda s\u00fcrd\u00fcrm\u00fc\u015ft\u00fcr. 1975 y\u0131l\u0131nda ba\u015flad\u0131\u011f\u0131 Devlet G\u00fczel Sanatlar Akademisi (MSGS\u00dc)\u2019nde \u00d6\u011fretim \u00dcyeli\u011fi g\u00f6revinden 2002 y\u0131l\u0131nda emekli olmu\u015ftur.<\/p>\n A\u011fa\u00e7 heykellerinde amblem ya da feti\u015f \u00f6zelli\u011fi g\u00f6steren formlara ba\u011fl\u0131 simetrik bi\u00e7imlere a\u011f\u0131rl\u0131k vermi\u015ftir. Ah\u015fab\u0131 daha canl\u0131 buldu\u011funu ifade eden Bugay malzeme olarak da ah\u015fab\u0131 \u00e7ok\u00e7a tercih etmi\u015ftir. Cebinde s\u00fcrekli bir par\u00e7a ah\u015fap ve onu yontacak bir alet bulundurdu\u011funu da bir sohbetimizde ifade etmi\u015fti. Heykelde de\u011fi\u015fik ara\u00e7 ve gere\u00e7lerle mesaj iletmeye y\u00f6nelik anlat\u0131mc\u0131 bir \u00e7izgi s\u00fcrd\u00fcren Bugay, bir\u00e7ok ki\u015fisel sergi a\u00e7\u0131p karma sergilere kat\u0131lm\u0131\u015ft\u0131r. Kukla ve cep kuklalar\u0131 sanat\u00e7\u0131n\u0131n \u00f6zel \u00e7al\u0131\u015fma etkinliklerinden birisidir. Devlet Resim ve Heykel M\u00fczeleri (\u0130stanbul, Ankara, \u0130zmir), TRT ve bir\u00e7ok \u00f6zel koleksiyonda yap\u0131tlar\u0131 bulunmaktad\u0131r.<\/p>\n “\u0130nsanlar kavramlar \u00fcretiyor, bu \u00fcrettikleri kavramlara kendileri uymuyor. Ahlak, namus, iyilik vs.. gibi kavramlara insanlar uymuyor. Bunun \u00fczerine hayvanlara y\u00f6nelmeye karar verdim” <\/em>diyor ve hayvanlar\u0131 \u00f6verek ekliyor: “Hayvanlar namussuzluk, ahlaks\u0131zl\u0131k, h\u0131rs\u0131zl\u0131k yapm\u0131yor…” \u00a0Ve devamla sanat\u00e7\u0131, insanlar\u0131n hayvanlar\u0131 kullanarak birbirine k\u00fcf\u00fcr etmesine ise anlam veremiyor, hele de ‘e\u015fek gibi g\u00fczel bir hayvan\u0131n ad\u0131n\u0131 kullanarak e\u015f\u015folue\u015f\u015fek’ denmesine… de \u00a0i\u00e7erlemi\u015ftir. <\/em>Bunun \u00fczerine sanat\u00e7\u0131 1995 y\u0131l\u0131ndan sonra hayvan fig\u00fcrleri yontmaya ba\u015flam\u0131\u015ft\u0131r. “Hayvanlar ve E\u015f\u015feko\u011flue\u015fekler” <\/em>isimli bir de sergi d\u00fczenlemi\u015ftir.<\/p>\n Ahmet \u015ei\u015fman (internetten al\u0131nt\u0131)<\/p>\n","protected":false},"excerpt":{"rendered":" Mimar Sinan G\u00fczel Sanatlar \u00dcniversitesi Tophane-i Amire binas\u0131, heykelt\u0131ra\u015f Saim Bugay\u2019\u0131n 77. ya\u015f g\u00fcn\u00fc an\u0131s\u0131na \u201c\u00d6yle mi?\u201d ba\u015fl\u0131kl\u0131 karma kukla sergisine ev sahipli\u011fi yap\u0131yor. Saim Bugay\u2019\u0131n aram\u0131zdan ayr\u0131l\u0131\u015f\u0131n\u0131n 3. y\u0131l\u0131nda, O\u2019nu \u00f6l\u00fcm de\u011fil ya\u015f g\u00fcn\u00fcnde anmay\u0131 anlaml\u0131 bulan kat\u0131l\u0131mc\u0131lar, Saim Bugay\u2019\u0131n yan\u0131 s\u0131ra Sava\u015f Din\u00e7el, Ferhan \u015eensoy, \u00d6zdemir Asaf, Kuzgun Acar, Neyzen Tevfik, Genco Erkal, […]<\/p>\n","protected":false},"author":18,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"","_yoast_wpseo_title":"","_yoast_wpseo_metadesc":"","_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":"","_yoast_wpseo_focuskw_text_input":""},"categories":[60],"tags":[82,109,108],"yoast_head":"\n