{"id":92207,"date":"2016-06-08T01:58:29","date_gmt":"2016-06-07T22:58:29","guid":{"rendered":"http:\/\/epochtimestr.com\/?p=92207"},"modified":"2016-06-17T00:05:43","modified_gmt":"2016-06-16T21:05:43","slug":"sanat-ile-aktivitizmin-bedenlenmis-hali-anarsizen","status":"publish","type":"post","link":"https:\/\/epochtimestr.com\/index.php\/sanat-ile-aktivitizmin-bedenlenmis-hali-anarsizen","title":{"rendered":"Sanat ile Aktivitizmin Bedenlenmi\u015f Hali: AnarchyZen"},"content":{"rendered":"
\"Foto\u011fraf
Foto\u011fraf : G. Hakan Ko\u00e7man \/ Epoch Times<\/figcaption><\/figure>\n

\u201c\u00c7\u00fcr\u00fcyen bir toplumda sanat, e\u011fer d\u00fcr\u00fcst ise, \u00e7\u00fcr\u00fcmeyi yans\u0131tmal\u0131d\u0131r. Sosyal i\u015flevi sayesinde inanc\u0131 k\u0131rmak istiyorsa, sanat d\u00fcnyan\u0131n de\u011fi\u015febilir oldu\u011funu g\u00f6stermek zorundad\u0131r ve de\u011fi\u015fime yard\u0131m etmelidir\u201d der Ernst Ficher, AnarchZen\u2019de bu ama\u00e7la ya\u015fayan, sokak sanat\u0131 i\u015fleri akademilerde \u00f6rnek g\u00f6sterilen bir sokak sanat\u00e7\u0131s\u0131. \u00d6zgr\u00fcrl\u00fck d\u0131\u015f\u0131nda b\u00fcy\u00fck resimleri yok ama bize hat\u0131rlatt\u0131\u011f\u0131 \u00e7ok \u00f6nemli \u015feyler var\u2026 Kendisi ile sistem, d\u00fcnyan\u0131n durumu, sanat ve sanat\u00e7\u0131n\u0131n g\u00fcn\u00fcm\u00fczdeki i\u015flevi \u00fczerine sohbetimizi sunuyoruz\u2026 <\/strong><\/p>\n

Anar\u015fi Zen d\u00fc\u015f\u00fcncesi nas\u0131l ortaya \u00e7\u0131kt\u0131 ve nas\u0131l size d\u00f6n\u00fc\u015ft\u00fc?<\/strong><\/p>\n

Ger\u00e7eklik zemini yani durum beni bir duru\u015f ve hareket dinami\u011fi olarak yo\u011furmaya ba\u015flad\u0131.
\nAnarchyZen\u2019 de\u00a0 bunun bir sonucu olarak ortaya \u00e7\u0131kt\u0131.<\/p>\n

Do\u011fada yap\u0131-bozum ve yap\u0131-\u00e7\u00f6z\u00fcm birlikte i\u015fler. Yani bir madde ve ya bir canl\u0131 do\u011far, varl\u0131\u011f\u0131na devam eder ve bir \u015fekilde \u00e7\u00fcr\u00fcr d\u00f6n\u00fc\u015f\u00fcr. \u00c7\u00fcr\u00fcme sonucunda do\u011fada ba\u015fka bir organik varl\u0131\u011fa d\u00f6n\u00fc\u015ferek g\u00fcbre veya ba\u015fka bir \u015fey olarak d\u00f6ng\u00fcde diyalektik olarak yer al\u0131r. Bu tamamen rasyonel bir ilgidir… Do\u011fa bunun i\u015fledi\u011fi en kusursuz ortam.. ve \u00e7ok c\u00f6mert.. \u0130nsan da ise sadece yap\u0131-bozum mevcut… \u00c7\u00fcnk\u00fc insan varl\u0131\u011f\u0131ndan bug\u00fcne teknoloji ile do\u011fadan ald\u0131\u011f\u0131 esinle \u00a0sa\u011fl\u0131kl\u0131 ve b\u00fct\u00fcne bar\u0131\u015f\u00e7\u0131l bakabilen tercihleri hep g\u00f6rmezden geldi. \u00c7\u00fcnk\u00fc otorite fig\u00fcr\u00fc, al\u0131\u015fkanl\u0131klar hep bencildi… Her eklenen yeni bilimsel geli\u015fmenin silahlanmaya, g\u00fcce hizmet etti\u011fi tarihsel s\u00fcre\u00e7te insan\u0131n \u201cak\u0131ll\u0131\u201d evrimi ad\u0131na tercih ettiklerini yeniden g\u00f6zden ge\u00e7irmesi gerekti\u011fine hep inand\u0131m… \u00a0Zen’i fikirsel ele ald\u0131m dogmatik de\u011fil… minimum enerjinin maksimum verime d\u00f6n\u00fc\u015fmesini sa\u011flayan \u00fczerinde s\u0131\u00e7rad\u0131\u011f\u0131m duygu durum trombolinin dibe esnedi\u011fi yer gibi de…<\/p>\n

En az\u0131ndan i\u015fin ne oldu\u011fu ile ilgili iyi bir ipucu veriyor. Anar\u015fi bat\u0131n\u0131n en u\u00e7 noktadaki d\u00fc\u015f\u00fcncesi Zen de do\u011funun. <\/strong><\/p>\n

T\u00fcm uclar\u0131 bir arada sentezleyip insanlar\u0131n evrensel d\u00fc\u015flerine y\u00f6n veren ve var olan sorunlar\u0131n alt\u0131n\u0131 \u00e7izerek kolektif bilin\u00e7 ad\u0131na dinamik sa\u011flayan k\u00f6pr\u00fc benim sanat\u0131m olabilir.\u00a0 Bu sanat\u0131n do\u011fru yer ve do\u011fru zamanda olmas\u0131 da \u00f6nemli. Bu yer de yol ve sokaklar…<\/p>\n

Anar\u015fi sorgulayarak y\u0131kmay\u0131 temsil ederken Zen de asl\u0131nda burada ortaya \u00e7\u0131kan bir ayd\u0131nlanmay\u0131 temsil ediyor. <\/strong><\/p>\n

Evet asl\u0131nda kaos ve huzur birbirine \u00e7ok yak\u0131n ve ya\u015fam\u0131n her alan\u0131nda denge bizi bekliyor.
\nZaten ya\u015fam\u0131n her alan\u0131nda bir denge terazisi var bunlar\u0131 g\u00f6r\u00fcp buna g\u00f6re tercih ederiz…<\/p>\n

\u015e\u00f6yle d\u00fc\u015f\u00fcn\u00fcn d\u00fcnya \u00fczerinde etkili olan \u00a0Hristiyanl\u0131k, Musevilik, M\u00fcsl\u00fcmanl\u0131k gibi bir\u00e7ok inan\u00e7 var ve bunlar\u0131n hepsi ayn\u0131 \u015feyi s\u00f6ylerken, tarih boyunca, birbirlerine ayn\u0131 \u015feyleri s\u00f6yleyen insanlar birbirlerine duvar \u00f6rerek durmadan \u00e7at\u0131\u015ft\u0131lar. Tarihe bakt\u0131\u011f\u0131n\u0131zda din sava\u015flar\u0131 ile dolu bir tarih \u00e7at\u0131\u015fmas\u0131n\u0131 g\u00f6r\u00fcrs\u00fcn\u00fcz.\u00a0 Bu y\u00fczden de ben olay\u0131n dogmatikle\u015fme s\u00fcreci ile ilgileniyorum; yani fa\u015fizme dinamik sa\u011flayan k\u0131sm\u0131yla! Ko\u015fulsuz kabullenim ile bireyin duvarlar\u0131n\u0131 \u00f6rd\u00fc\u011f\u00fc ortamda bu bir \u00e7ok defa \u00f6nemli…<\/p>\n

Ayn\u0131 zamanda bir yap\u0131 \u00e7\u00f6z\u00fcm arac\u0131 olan sanat\u0131 artivist hale getirerek onlar\u0131 konservatif kapal\u0131 kutular i\u00e7ine iten ve var oldu\u011fu d\u00fc\u015f\u00fcncenin d\u0131\u015f\u0131na kendilerini a\u00e7amayan sistem taraf\u0131ndan bilin\u00e7li olarak kullan\u0131lan insanlar olmaktan kurtar\u0131yor ve o kabuklar\u0131n d\u0131\u015f\u0131ndaki ger\u00e7ekli\u011fi yans\u0131t\u0131yorum.<\/p>\n

\u0130nsan haklar\u0131n\u0131n ihlal edildi\u011fi \u00e7ok daha k\u00f6t\u00fc bir s\u00fcreci ya\u015f\u0131yoruz. Anar\u015fi de burada da anlam buluyor benim i\u00e7in. Duygu durumu ve zihin aras\u0131ndaki ba\u011flar\u0131 ve k\u00f6pr\u00fcleri do\u011fru kuracak ve ba\u015fl\u0131klar\u0131 do\u011fru yerde ve do\u011fru alanda tart\u0131\u015fabilecek bilin\u00e7lere ihtiyac\u0131m\u0131z var… ve bu bir duygu durum dengesi istiyor.. Zen fikirsel olarak bu dengeyi veriyor…<\/p>\n

Zen \u00f6\u011fretisinde sopa uyar\u0131s\u0131 var. \u00d6\u011frenci gelip ustaya bir \u015feyler sormak istedi\u011finde usta \u00f6\u011frencinin kafas\u0131na sopa ile vurur. Bu vuru\u015fun sormamal\u0131s\u0131n kendin ayd\u0131nlanmal\u0131s\u0131n anlam\u0131na geldi\u011fi biliniyor. Anar\u015fi Zen i\u015flerinde de bu hava var sanki biraz da. <\/strong><\/p>\n

Asl\u0131na bakarsan\u0131z imaj\u0131 kullanarak insanlar \u00fczerinde yaratt\u0131\u011f\u0131m fluxus \u00fcnlemi ne sopa ne de k\u0131l\u0131\u00e7… kalemin k\u0131l\u0131\u00e7tan renkli oldu\u011fu bir yans\u0131ma denilebilir..<\/p>\n

\"AnarchyZen'in
AnarchyZen’in Mersin’de yapt\u0131\u011f\u0131 street art i\u015flerinden biri<\/figcaption><\/figure>\n

U\u00e7ak yarat\u0131m\u0131nda oldu\u011fu gibi insanlar yapt\u0131\u011f\u0131n\u0131z i\u015flerin yan\u0131ndan ge\u00e7erken bir anda hi\u00e7 beklemedi\u011fi bir \u015fey ile hi\u00e7 beklemedi\u011fi bir tarzda kar\u015f\u0131la\u015f\u0131yor. Orada g\u00fcc\u00fc simgeleyen ve g\u00fcc\u00fc simgelerken insan\u0131n kafas\u0131na milli duygular ve g\u00fc\u00e7l\u00fc ordu gibi kavramlar getiren bir u\u00e7ak var ama biraz g\u00f6z\u00fcn\u00fcz\u00fc kayd\u0131rd\u0131\u011f\u0131n\u0131z anda ger\u00e7ekten onun g\u00f6r\u00fcnmeyen bir taraf\u0131n\u0131 da a\u00e7\u0131\u011fa \u00e7\u0131kart\u0131yor. Bu u\u00e7a\u011f\u0131n ayn\u0131 zaman da masum insanlar\u0131 da katledebilen bir ara\u00e7 oldu\u011fu ve hi\u00e7 su\u00e7u olmayan pek \u00e7ok insan\u0131n da mahv\u0131na sebep olabilece\u011fi g\u00fcn \u0131\u015f\u0131\u011f\u0131na \u00e7\u0131k\u0131yor ve b\u00f6ylece bilin\u00e7te soru i\u015faretleri meydana getiriyor.<\/strong><\/p>\n

Evet, sonu\u00e7ta \u00e7evre ve heykel ad\u0131na oraya konulmu\u015f bir sava\u015f aleti; buraya \u00e7ok daha estetik bir \u015fey konulabilecekken neden bir sava\u015f aleti koyars\u0131n.? Bu anlams\u0131zd\u0131.. Silahlar\u0131n etraf\u0131m\u0131z\u0131 doldurmas\u0131n\u0131 istemiyorum. Onu fa\u015fist bir g\u00fc\u00e7 \u00f6\u011fesinden ar\u0131nd\u0131r\u0131p bakt\u0131\u011f\u0131n\u0131z \u015fey asl\u0131nda bu demek gererkti\u011fini d\u00fc\u015f\u00fcnd\u00fcm \u00a0ve ortaya \u00e7\u0131kt\u0131…<\/p>\n

Gezi s\u00fcreci sonras\u0131nda \u0130stanbul’da bir squat da kal\u0131yordum ba\u011f\u0131ms\u0131z sanat \u00fcreticilerini bir arada kald\u0131klar\u0131 bir yap\u0131lanmaylayd\u0131.. Oran\u0131n \u00e7\u00f6p kutular\u0131ndan bir tanesini TV ekran\u0131na \u00e7evirdim.. \u00a0t\u00fcketim toplumu oldu\u011fumuz ve ya\u015fam bi\u00e7imimizi kutular\u0131n y\u00f6netti\u011fi ve bu ya\u015fam\u0131n insana etkileri \u00fczerine bir ele\u015ftiriydi.. \u00a0S\u00fcrekli televizyon seyrediliyor.. s\u00fcrekli minik kutulara ba\u011f\u0131ml\u0131klar var, cep telefonlar\u0131 ile ya\u015f\u0131yor, bir kutudan \u00e7\u0131k\u0131p di\u011fer kutuya giriyoruz; bir kutu i\u00e7erisinde d\u00fcnyaya geldik bir kutu i\u00e7erisinde gidiyoruz ve bitiriyoruz b\u00f6yle bakt\u0131\u011f\u0131m\u0131z zaman Kutular hayat\u0131n her taraf\u0131nda. Bunun d\u0131\u015f\u0131nda geli\u015fen ve insanlar\u0131 bekleyen bir hayat anlay\u0131\u015f\u0131 bir ya\u015fam dinami\u011fi oldu\u011funa hep inand\u0131m. \u0130nsanlar bu kutularla ilgilenirken ger\u00e7ek ya\u015fam\u0131n yanlar\u0131ndan ak\u0131p gitmememeli.. buna\u00a0 izin vermemeliyiz…<\/p>\n

\"AnarchyZen'in
AnarchyZen’in “Bir Avu\u00e7 Logar \u0130\u00e7in” adl\u0131 street art i\u015fi<\/figcaption><\/figure>\n

Peki AnarchyZen\u2019in i\u015fleri nas\u0131l do\u011fuyor? Bir yerden ge\u00e7erken bir anda m\u0131? <\/strong><\/p>\n

\u0130kisi de asl\u0131nda. Yan\u0131tlar basit ama soru sormak zor. Do\u011fru yakla\u015ft\u0131\u011f\u0131n\u0131z sorunuz varsa elinizdeki\u00a0 materyaller ile ne yapaca\u011f\u0131n\u0131z\u0131 bilirsiniz. Sadece ifade etmek isteyin… buna bazen yer bazen sorunuz y\u00f6n verir… bazen ge\u00e7mi\u015fte yar\u0131m b\u0131rakt\u0131\u011f\u0131n\u0131z bir fikir bile yolda bamba\u015fka bir durumla \u00e7ok etikili birle\u015febiliyor…<\/p>\n

 <\/p>\n

Peki AnarchyZen\u2019in temel kayg\u0131s\u0131 nedir? <\/strong><\/p>\n

Al\u0131\u015fkanl\u0131klar; bize sistemin \u00f6\u011fretti\u011fi ve bizim var etti\u011fimiz, bizi biraz \u00f6nce bahsetti\u011fim kutular i\u00e7erisine at\u0131p s\u0131k\u0131\u015ft\u0131ran ve kayg\u0131 denetimine dair her \u015feyi enjekte eden, bunlarla ayn\u0131 zamanda kukla iplerini \u00f6rerek bizi sisteme ba\u011f\u0131l\u0131 k\u0131lan her \u015feyi kopar\u0131p bireyi ger\u00e7eklik zeminine getirmek d\u0131\u015f\u0131nda hi\u00e7 bir kayg\u0131s\u0131 yok…<\/p>\n

Nedir bu ger\u00e7eklik zemini? <\/strong><\/p>\n

Ger\u00e7eklik zemini, insanlar\u0131n kolektif anlamda var olan bir ton evrensel s\u0131k\u0131nt\u0131ya ve adaletsizli\u011fe kar\u015f\u0131 ortak ses getirme \u00e7abas\u0131ndan ba\u015fka bir \u015fey de\u011fildir.<\/p>\n

\"AnarchyZen'in
AnarchyZen’in Peace \u0130\u015fleri’nden<\/figcaption><\/figure>\n

Bu sadece T\u00fcrkiye\u2019deki durumla alakal\u0131 de\u011fil san\u0131r\u0131m. <\/strong><\/p>\n

Bir \u015fey evrensel ise hem global hem lokal hem de \u201cglokal\u201ddir de… \u00a0Bunlar birbirini etkiler ve \u00f6nemli olan sizin hangi ba\u015fl\u0131\u011f\u0131 nas\u0131l ele al\u0131p hangi materyallerle yo\u011furdu\u011funuz…
\nsistem bana gelip kimli\u011fimi sordu\u011funda ben ona a\u011fa\u00e7, ku\u015f, b\u00f6cek, da\u011f, denizler, ovalar, ya\u015fam benim kimli\u011fim diyorum. Adam benden bir ka\u011f\u0131t ve bir numara istiyor \u0131srarla. Dolay\u0131s\u0131yla benim atfetti\u011fim \u015fey, arkama ald\u0131\u011f\u0131m g\u00fc\u00e7, bana zaten var olan o b\u00fct\u00fcn ironik ya\u015fama farkl\u0131 bakabilecek mizah dinami\u011fini de sa\u011fl\u0131yor ve anka kanatl\u0131 bir \u0130KARUS\u2019a d\u00f6n\u00fc\u015ft\u00fcrebiliyor… her t\u00fcy\u00fcnden yeniden do\u011fabilen…<\/p>\n

\u00d6nce bireyin ve \u00f6zellikle sanat \u00fcreticisinin kendini do\u011fru konumlamas\u0131 ve kendini konulmad\u0131\u011f\u0131 bu yoldaki inan\u00e7lar\u0131 ile do\u011fru bulu\u015fmas\u0131 ve ara\u00e7lar\u0131ndan hi\u00e7bir zaman vazge\u00e7memesi gerekiyor… \u00e7\u00fcnk\u00fc bu ba\u011flar\u0131 kesti\u011fi zaman dip duygular d\u00fcnyas\u0131na hapsoluyor… Oraya ara s\u0131ra girilmeli ama orada kalmay\u0131n diyorum… Ben de orada ya\u015f\u0131yorum zaman zaman ama \u00e7\u0131k\u0131p onu bir dinami\u011fe d\u00f6n\u00fc\u015ft\u00fcrmek, bir motive, bir harekete, bir soru i\u015fareti ile bir \u00fcnleme d\u00f6n\u00fc\u015ft\u00fcr\u00fclmeli ya da sonu \u00fc\u00e7 nokta ile b\u0131rak\u0131lm\u0131\u015f devrimci y\u00f6nlere…<\/p>\n

Sanat\u00e7\u0131 kavram\u0131 da \u00e7\u0131k\u0131yor burada kar\u015f\u0131m\u0131za. <\/strong><\/p>\n

Arttivist…<\/p>\n

Artivist, asl\u0131nda evrensel bir koruyucu olarak da kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor. \u0130nsanlar\u0131 ger\u00e7e\u011fi dokundurtma gibi misyonu da var. \u0130nsanlar\u0131 ayd\u0131nlat\u0131p onlara ger\u00e7ek anlamda ne yapt\u0131klar\u0131n\u0131 sorgulatma i\u015flevi de var sanat\u00e7\u0131n\u0131n bu ba\u011flamda, \u00f6yle de\u011fil mi? <\/strong><\/p>\n

Fluxsus, \u201cHer insan sanat\u00e7\u0131d\u0131r\u201d der. Her insanda sanat yapma potansiyeli vard\u0131r. Sanat illa estetize edilmi\u015f bir sonu\u00e7 de\u011fildir. \u0130nsan\u0131n \u00f6nce bilme yoluyla hayat\u0131n\u0131 bi\u00e7imlendirilmesidir. Bu ba\u011flamda sanat bir bak\u0131ma sanat\u00e7\u0131n\u0131n kendisidir der…<\/p>\n

\"AnarchZen'in
AnarchZen’in Peace \u0130\u015fleri’nden<\/figcaption><\/figure>\n

Bu tan\u0131mdan \u015fu da \u00e7\u0131k\u0131yor; \u00a0sanat\u00e7\u0131 her \u015feyle ba\u011fl\u0131 ve her \u015feyle ileti\u015fim halinde olan ve sanat\u00e7\u0131n\u0131n kimli\u011fini sadece kendi bedeninden ya da kendi psikolojik ya da ruhsal etmenlerinden de\u011fil de var oldu\u011fu ya\u015fam\u0131n i\u00e7erisindeki t\u00fcm kimliklerden ve varolu\u015flardan ve de varl\u0131klardan alan evrensel bir ruh oldu\u011fu \u00e7\u0131k\u0131yor.<\/strong><\/p>\n

E tabi… Sanat\u0131n tan\u0131m\u0131 gere\u011fi yeni c\u00fcmleler kurmak gerekiyor; yine de\u011fil… \u00d6zg\u00fcr k\u0131lmas\u0131 i\u00e7in bir sim\u00fclasyona d\u00f6n\u00fc\u015fmemesi ve pop at\u0131\u011f\u0131 sabu k\u00f6p\u00fc\u011f\u00fc bi\u015fi olmamas\u0131 i\u00e7in de bu b\u00f6yle… \u00a0Arkas\u0131nda barkod bas\u0131l\u0131 kopyala yap\u0131\u015ft\u0131r bir i\u015fi sunup, bu meta kayg\u0131l\u0131 bir sim\u00fclasyon dedi\u011finizde \u00a0de\u011fi\u015fim olam\u0131yor… Bu bizi daha da klostrofobik bir hale getiriyor sadece… \u00a0Bu y\u00fczden de toplumsal ve insani ortak ger\u00e7e\u011fin ak\u0131\u015f i\u00e7erisindeki dinamiklere do\u011fru c\u00fcmlelerle do\u011fru bulu\u015fabilmesi m\u00fcmk\u00fcn olmaz.. ortak bir do\u011frunun oldu\u011fu kadar ortak y\u00f6nleri g\u00f6rebilme i\u015fi ile de ilgili oldu\u011funu da d\u00fc\u015f\u00fcn\u00fcyorum… bunun ortak bir ba\u011f var etti\u011finide biliyoruz… o ba\u011f\u0131n nas\u0131l i\u015fledi\u011fini ve nas\u0131l bir mekanizmaya ba\u011fl\u0131 oldu\u011funu g\u00f6r\u00fcp o noktada yeni c\u00fcmlelere ko\u015fabilece\u011finiz y\u00f6nleri var edebilece\u011fimizi d\u00fc\u015f\u00fcn\u00fcyorum…<\/p>\n

Sanat\u00e7\u0131 o halde yat\u0131r\u0131mlar\u0131yla bir \u015feye ya da ger\u00e7e\u011fe \u00e7a\u011fr\u0131 yapan ki\u015fi midir? <\/strong><\/p>\n

Sanat \u0130nsanl\u0131\u011f\u0131 de\u011fi\u015ftiriyor, onlara umut veriyor, bir \u00e7ok duyguyu ve durumu sunuyor… Onlar\u0131 bir noktada bulu\u015fturup bu dinamiklerin yeni d\u00fc\u015flere ko\u015fmas\u0131n\u0131 sa\u011flayabilecek \u00f6nemli bir\u00a0 g\u00fc\u00e7\u00fc de var… bu ba\u011flamda \u201cYat\u0131r\u0131m\u201d dan ne anlad\u0131\u011f\u0131m\u0131z \u00f6nemli tabi… \u00e7\u00fcnk\u00fc sanat ad\u0131na iki anlamda arz – talep durumu var.. bir tanesinde sanat\u00e7\u0131 \u201carz\u201d kelimesini d\u00fcnya olarak tan\u0131mlar ve \u00f6zg\u00fcr y\u00f6nlere akar… ikinciside ise \u201carz-talep\u201d barkodlar\u0131n ard\u0131nda bir parmakl\u0131k gibi d\u00fc\u015f\u00fc ele ge\u00e7irir… ve zamanla d\u00fc\u015fleriniz \u00e7\u00fcr\u00fcr.. bu y\u00fczden yat\u0131r\u0131m \u00f6zg\u00fcrl\u00fc\u011fe olmal\u0131… baz\u0131 sanat\u00e7\u0131lar d\u00fc\u015f d\u00fcnyay\u0131 aralar\u0131nda para toplay\u0131p sat\u0131n alacaklar\u0131n\u0131 san\u0131yor gibi ya\u015f\u0131yorlar… sanat bir eylem arac\u0131d\u0131r… sanat\u0131n eylemsel niteli\u011fini ve y\u00f6n\u00fc bunu size s\u00f6yler zaten…<\/p>\n

Bu noktada AnarchyZen taraf\u0131ndan yarat\u0131lan i\u015fler s\u00fcrekli insana kendi durumunu sorgulat\u0131c\u0131 ve bu ba\u011flamda onun kendini durumu ile ilgili ayd\u0131nlat\u0131c\u0131 ve \u00f6zg\u00fcrle\u015ftirici ya da en az\u0131ndan insana \u00f6zg\u00fcrle\u015ftirmeye \u00e7al\u0131\u015fan i\u015fler. Peki bunun do\u011frultusu nedir? <\/strong><\/p>\n

Experivandal bir yere gitti\u011fim s\u00f6ylenebilir.. \u00a0Experivandal \u00a0yani deneysel olan (experimental) \u00a0ile vandal yani y\u0131k\u0131c\u0131 olan\u0131n birle\u015fmesi; sanatsal y\u0131k\u0131c\u0131l\u0131k;\u00a0 bili\u015fteki, duyumdaki, al\u0131\u015fkanl\u0131klar \u00fczerindeki y\u0131k\u0131c\u0131l\u0131k ve yap\u0131 \u00e7\u00f6z\u00fcm…<\/p>\n

Bu vandalizmin en geli\u015fmi\u015f hali olsa gerek?<\/strong><\/p>\n

ilk ve en dengeli hallerinden biri…<\/p>\n

\u0130nsan \u015fu anda sistemsel bir k\u00f6lelik ya\u015f\u0131yor ve ya\u015fad\u0131\u011f\u0131 \u015feyin kendi de fark\u0131nda de\u011fil,\u00a0 zincirlerinin ne oldu\u011funun fark\u0131nda de\u011fil ve AnarchyZen taraf\u0131ndan ortaya konulan i\u015fler de insanlar\u0131n bu zincirlerinin fark\u0131na var\u0131p bu zincirleri k\u0131rmak i\u00e7in bir ara\u00e7!<\/strong><\/p>\n

Soru sormak zor, yan\u0131tlar basit demi\u015ftik ya benim sorum \u015fu oluyor her zaman; d\u00fc\u015ften ger\u00e7e\u011fe de ger\u00e7ekten d\u00fc\u015fe mi..?<\/p>\n

\"AnarchZen'in
AnarchZen’in street art i\u015flerinden<\/figcaption><\/figure>\n

O zaman AnarchyZen\u2019in se\u00e7ti\u011fi sanat yolu bir ayd\u0131nlanma m\u0131, evrensel bir ki\u015filik olmaya do\u011fru at\u0131lan bir ad\u0131m m\u0131?<\/strong><\/p>\n

Ger\u00e7eklik zeminim a\u00e7\u0131s\u0131ndan da i\u00e7sel ve evrensel bar\u0131\u015f a\u00e7\u0131s\u0131ndan da evet…<\/p>\n

O zaman AnarchyZen\u2019in kayg\u0131s\u0131 b\u00fct\u00fcn d\u00fcnyay\u0131 kurtarmak!<\/strong><\/p>\n

D\u00fcnya kendini yeniler de mesele insani dolay\u0131s\u0131 ile kollektif…
\n\u00c7\u00f6z\u00fcmler de \u00f6yle… Do\u011fadan esin ile daha adil ve bar\u0131\u015f\u00e7\u0131l bir evrime ka\u00e7 giden yol var diye sorman\u0131n insanl\u0131\u011f\u0131 an\u0131 ve gelece\u011fi de\u011fi\u015ftirebilece\u011fine inan\u0131yorum…<\/p>\n

Peki i\u015fler nas\u0131l ortaya \u00e7\u0131k\u0131yor ve Anar\u015fi Zen i\u015flerin neresinde?<\/strong><\/p>\n

Yapt\u0131\u011f\u0131m i\u015flerde ben \u00f6nemli de\u011filim oradaki fikir \u00f6nemli. Oradaki d\u00fc\u015f\u00fcnce ve dinamikleri \u00f6nemli. Bazen i\u015fleri yapmadan \u00f6nce alana gidip orada \u015fu \u015funa d\u00f6n\u00fc\u015febilir diyebiliyorum.\u00a0 \u00c7e\u015fitli yerlere ve duruma g\u00f6re dilim de\u011fi\u015febiliyor. \u00c7ok sert c\u00fcmlelerim de oluyor bazen. Sanat\u0131n rahats\u0131z etmesi gereken durumlar da olabiliyor. Ger\u00e7ek rahats\u0131zl\u0131ktan bahsediyorum! Bir sorunun alt\u0131n\u0131 \u00e7izerken insan\u0131n \u00fczerine sert bir tokatla gitmekten\u00a0 bahsediyorum! Bazen b\u00f6yle i\u015fler de yap\u0131yorum. Bu duruma ve alana g\u00f6re de\u011fi\u015fiyor.<\/p>\n

Sistemi nas\u0131l tan\u0131ml\u0131yorsunuz?<\/strong><\/p>\n

Baya\u011f\u0131 cevaplardan ka\u00e7\u0131nmak istiyorsak \u00f6nce s\u00f6zde geli\u015fmi\u015f kapitalizmin yap\u0131s\u0131nda ula\u015f\u0131m\u0131n telekom\u00fcnikasyonun, e\u011fitimin ve enerjinin di\u011fer bir deyi\u015fle temel kamu hizmetlerinin art\u0131k sadece metalar\u0131n dola\u015f\u0131m\u0131n\u0131n zenginli\u011fi yeniden \u00fcretiminin bir unsurunu temsil etmedi\u011fini daha ziyade \u00fcretimin kendisini yap\u0131land\u0131ran k\u00fcresel bi\u00e7imi in\u015fa etti\u011fini g\u00f6rmekteyiz. Yani metaya ba\u011fl\u0131 bir hayat\u0131n ya\u015fam alg\u0131s\u0131n\u0131n ger\u00e7eklik diye sunuldu\u011fu ortamda bunun nas\u0131l i\u015fledi\u011fini g\u00f6r\u00fcp bunun d\u0131\u015f\u0131nda bir dinamik sa\u011flamam\u0131z gerekiyor! geri kalan\u0131\u00a0 zaten sorunlu bir \u015feyin i\u00e7inden \u00e7\u00f6z\u00fcm buldu\u011funu zannetmek…<\/p>\n

\"AnarchyZen'in
AnarchyZen’in \u0130stanbul sokakalr\u0131ndaki i\u015flerinden<\/figcaption><\/figure>\n

Buna kar\u015f\u0131 olan ya\u015fam tarz\u0131n\u0131z\u0131 nas\u0131l tan\u0131ml\u0131yorsunuz?<\/strong><\/p>\n

Ben frigan ya\u015f\u0131yorum. Friganizm var olan ya\u015fam i\u00e7erisinde sistemin sunduklar\u0131 d\u0131\u015f\u0131nda alternatif bir ya\u015fam bi\u00e7imi: \u0130nsanlar\u0131n at\u0131k g\u00f6r\u00fcp i\u015fe yaramaz dedi\u011fi<\/p>\n

ve bir tarafa itekledi\u011fi \u015feyler benim meta ile ili\u015fkilenmeden ya\u015famam\u0131 sa\u011flayan \u015feyler. Sigortal\u0131 bir i\u015fim yok.\u00a0 Sabah sekiz, ak\u015fam be\u015f bir i\u015fim yok.<\/p>\n

Sisteme ba\u011fl\u0131 herhangi bir yap\u0131m yok.\u00a0 yeni dinamikler ekleyebilecek potansiyelimi neden bir yere kapatarak \u00e7\u00fcr\u00fcteyim diye bak\u0131yorum olaya.<\/p>\n

Ayr\u0131ca her \u015feyi minimize etmi\u015f, t\u00fcketimi minimize etmi\u015f bir ya\u015famda, insanlar\u0131n hazlar pe\u015finde ko\u015ftu\u011fu bellek yitim ara\u00e7lar\u0131n\u0131n, yani televizyon vs.nin, ve buna benzer \u015feylerin i\u00e7inde olmay\u0131 tercih etmiyorum…\u00a0 sabun k\u00f6p\u00fc\u011f\u00fc sim\u00fclasyonlar \u00f6zg\u00fcr k\u0131lamaz daha k\u00f6le bireyler var eder sadece… Ak\u0131l ve duyum aras\u0131ndaki u\u00e7urumu kazan k\u00fcrek gibi insan\u0131n teknolojik y\u00f6n\u00fc…<\/p>\n

Nedir buradan \u00e7\u0131k\u0131\u015f yolu? <\/strong><\/p>\n

Sanat\u00e7\u0131n\u0131n insanlar\u0131 \u00e7a\u011f\u0131rmas\u0131 gereken bir nokta var… o nokta \u00f6zg\u00fcrl\u00fck bence..\u00a0 Ya\u015fam\u0131n ve insan\u0131n \u00f6zg\u00fcrle\u015febilmesi ve ger\u00e7ekten dengeli adil ve uyumlu bir \u015fekilde akabilmesi i\u00e7in sanat\u00e7\u0131lar\u0131n bu noktada \u00f6zg\u00fcr k\u0131lancak ara\u00e7lar\u0131 ger\u00e7ekle daha etkili yo\u011furmas\u0131 gerekiyor.. Asl\u0131nda bakarsan\u0131z bunu kendileri i\u00e7in yapmalar\u0131 gerekiyor.. nefes al ver.. al ver.. gibi..
\nayr\u0131ca ilgili olan varsa bu kendini ger\u00e7ekle\u015ftirme yolculu\u011funun da bir gere\u011fi…
\nBunu onlar biliyor ama baz\u0131lar\u0131 bu noktada kendini ger\u00e7ekle\u015ftirebilecek eylemsel hareketleri erteliyorlar!<\/p>\n

Kant’\u0131n \u00f6devi gibi mi?<\/strong>
\nbunun bir \u00f6devden daha fazlas\u0131 oldu\u011funu g\u00f6rmek i\u00e7in sanat\u00e7\u0131 ya da psikolog olmak gerekmiyor…<\/p>\n

\"AnarchyZen'in
AnarchyZen’in peace \u0130\u015fleri’nden<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

\u201c\u00c7\u00fcr\u00fcyen bir toplumda sanat, e\u011fer d\u00fcr\u00fcst ise, \u00e7\u00fcr\u00fcmeyi yans\u0131tmal\u0131d\u0131r. Sosyal i\u015flevi sayesinde inanc\u0131 k\u0131rmak istiyorsa, sanat d\u00fcnyan\u0131n de\u011fi\u015febilir oldu\u011funu g\u00f6stermek zorundad\u0131r ve de\u011fi\u015fime yard\u0131m etmelidir\u201d der Ernst Ficher, AnarchZen\u2019de bu ama\u00e7la ya\u015fayan, sokak sanat\u0131 i\u015fleri akademilerde \u00f6rnek g\u00f6sterilen bir sokak sanat\u00e7\u0131s\u0131. \u00d6zgr\u00fcrl\u00fck d\u0131\u015f\u0131nda b\u00fcy\u00fck resimleri yok ama bize hat\u0131rlatt\u0131\u011f\u0131 \u00e7ok \u00f6nemli \u015feyler var\u2026 Kendisi ile […]<\/p>\n","protected":false},"author":22,"featured_media":92234,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"","_yoast_wpseo_title":"","_yoast_wpseo_metadesc":"","_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":"","_yoast_wpseo_focuskw_text_input":""},"categories":[37],"tags":[],"yoast_head":"\nSanat ile Aktivitizmin Bedenlenmi\u015f Hali: AnarchyZen - The Epoch Times TR<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/epochtimestr.com\/index.php\/sanat-ile-aktivitizmin-bedenlenmis-hali-anarsizen\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sanat ile Aktivitizmin Bedenlenmi\u015f Hali: AnarchyZen - The Epoch Times TR\" \/>\n<meta property=\"og:description\" content=\"\u201c\u00c7\u00fcr\u00fcyen bir toplumda sanat, e\u011fer d\u00fcr\u00fcst ise, \u00e7\u00fcr\u00fcmeyi yans\u0131tmal\u0131d\u0131r. 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